Doctor Who ? Revenge Of The Cybermen was the season 12 finale first broadcast on April 19th 1975. As with so much television music of the 1960s, ‘70s and ‘80s, the original master tapes of Carey Blyton’s score for Revenge of the Cybermen were not retained. The only surviving copy is a set of four 7”, 7.5ips “composer’s copy” domestic 1/4-inch tape. It is from those digital transfers that this release is taken. Sadly, and to Carey’s obvious and understandable disappointment, the completed music did not meet with the complete approval of the production team, and much of it was not used. Peter Howell of the BBC Radiophonic Workshop added some electronic embellishments and arranged some additional cues for parts two and three but some of that was also left on the proverbial cutting room floor. For this presentation, Carey’s original score is presented (and heard here for the first time) as written. This is followed by the additional, alternative, and “enhanced” cues, all of which were also on Carey Blyton’s tapes “This is undoubtedly one of the most distinctive, mysterious, misunderstood, and even controversial scores in Doctor Who history, and it delights me to finally bring it, complete, to your ears!” Mark Ayres - compiler and producer
トラックリスト
PART ONE 1 Doctor Who - Opening Title Theme 0.45 2 Return to Nerva Beacon 2.02 3 Can Anyone Hear Me? 0.36 4 Cybermat / Unspool / Plague 1.53 5 Cybership I 0.23 6 Searching Kellman's Room 1.05 7 Sarah vs Cybermat Part 1 0.31
PART TWO 8 Sarah vs Cybermat Part 2 0.18 9 Sabotage 0.42 10 It's Happening All Over Again 0.11 11 The Skystriker 0.26 12 On Voga 0.40 13 Sarah and Harry Captured Part 1 0.47 14 Sarah and Harry Captured Part 2 0.10 15 Cybership II 0.19 16 Enter Vorus 0.08 17 Remote Control Threat 0.33 18 Tyrum and Vorus 0.37 19 One More Pull 0.17 20 Caves Chase 0.50 21 Caves Chase Continued 0.29 22 Surrounded 0.35 23 Boarding Party 0.59
PART THREE 24 The Beacon is Ours 0.41 25 Tyrum Fanfare 0.15 26 Prisoners 0.13 27 Fresh Orders 0.19 28 It Cannot Be Stopped 0.21 29 Loose Thinking / The Bomb 1.27 30 The Countdown Has Commenced 1.01 31 Cybermarch 1.27 32 Radarscope 0.23 33 Adventures on Voga 1.19 34 Rockfall 1.15
PART FOUR 35 Surface Party and Detonation 1.47 36 Nine Minutes 0.26 37 Cybermat vs Cybermen 0.44 38 The Biggest Bang in History? 0.45 39 Waltz - All's Well That Ends Well 0.17 40 Doctor Who - Closing Title Theme (53" Version) 0.54
ALTERNATIVE AND SYNTHESISER CUES
PARTS ONE AND TWO 41 Sarah vs Cybermat (end of part 1 alternative) 0.20 42 Sarah vs Cybermat (start of part 2) 0.56 43 It's Happening All Over Again (random organ) 0.06 44 Sarah and Harry Captured (alternative) 0.46 45 Put That Gun Down (synth cue) 0.20 46 Cybership II (alternative) 0.24 47 Remote Control Threat (alternative) 0.35 48 One More Pull (alternative) and Vogan Gunfight 0.58 49 Cybership III (synth cue) 0.17 50 Caves Chase (alternative) 1.20 51 Cybership IV (synth cue) 0.23 52 Caves Chase Continued (alternative) 0.36 53 Surrounded (alternative) 0.38 54 Boarding Party (end of Part 2 alternative) 0.25
PART THREE 55 Jelly Babies (synth cue) 0.10 56 Tyrum Fanfare (edited cue as used) 0.10 57 It Cannot Be Stopped (alternative) 0.37 58 Loose Thinking (alternative) 0.31 59 The Bomb (alternative) 0.19 60 The Countdown Has Commenced (alternative) 0.06 61 Looped Cybermarch 0.29 62 Looped Cybermarch with Synth 0.47 63 Adventures on Voga (synth cues) 1.07 64 The Red Zone (Random Organ) 0.06 65 Heartbeat Countdown I (synth cue) 1.25 66 Heartbeat Countdown II (synth cue) 1.09 67 Rockfall (alternative) 1.17
1975年4月19日にイギリスで初放送されたシーズン12のフィナーレだった『ドクター・フー～サイバー人間の復讐』のオリジナル・サウンドトラックが初リリース！
トラックリスト1960年代、70年代、80年代の多くのテレビ音楽と同様、『サイバー人間の復讐』のためのキャリー・ブライトンのスコアのオリジナル・マスターテープは残されていませんでした。現存する唯一のコピーは、7インチ、7.5ipsの "コンポーザーズ・コピー "国内1/4インチ・テープ4本セットである。今回のリリースは、それらのデジタル・トランスファーからのものである。悲しいことに、キャリー（明らかに理解できる失望している）の完成した音楽は制作チームの完全な賛同を得られず、その多くは本編に使用される事はなかった。BBCラジオフォニック・ワークショップのピーター・ハウエルは、パート2とパート3のために電子的な装飾を加え、いくつかの追加キューをアレンジしたが、その一部もカットされた。
このCDでは、キャリーのオリジナル・スコアが書かれたまま（そしてここで初めて聴かれる）収録される。続いて、追加音源、別バージョン、そして "改善 "されたキューが続くが、これらはすべてキャリー・ブライトンのテープにもあったものである。
"これは間違いなく、『ドクター・フー』史上最も特徴的で、ミステリアスで、誤解され、さらには物議を醸した楽譜のひとつです。" "この楽譜をついに完全な形で皆さんの耳にお届けできることを嬉しく思います。"
マーク・エアーズ - 編曲者兼プロデューサー
Doctor Who ? Revenge Of The Cybermen was the season 12 finale first broadcast on April 19th 1975.
As with so much television music of the 1960s, ‘70s and ‘80s, the original master tapes of Carey Blyton’s score for Revenge of the Cybermen were not retained. The only surviving copy is a set of four 7”, 7.5ips “composer’s copy” domestic 1/4-inch tape. It is from those digital transfers that this release is taken. Sadly, and to Carey’s obvious and understandable disappointment, the completed music did not meet with the complete approval of the production team, and much of it was not used. Peter Howell of the BBC Radiophonic Workshop added some electronic embellishments and arranged some additional cues for parts two and three but some of that was also left on the proverbial cutting room floor.
For this presentation, Carey’s original score is presented (and heard here for the first time) as written. This is followed by the additional, alternative, and “enhanced” cues, all of which were also on Carey Blyton’s tapes
“This is undoubtedly one of the most distinctive, mysterious, misunderstood, and even controversial scores in Doctor Who history, and it delights me to finally bring it, complete, to your ears!”
Mark Ayres - compiler and producer
PART ONE
1 Doctor Who - Opening Title Theme 0.45
2 Return to Nerva Beacon 2.02
3 Can Anyone Hear Me? 0.36
4 Cybermat / Unspool / Plague 1.53
5 Cybership I 0.23
6 Searching Kellman's Room 1.05
7 Sarah vs Cybermat Part 1 0.31
PART TWO
8 Sarah vs Cybermat Part 2 0.18
9 Sabotage 0.42
10 It's Happening All Over Again 0.11
11 The Skystriker 0.26
12 On Voga 0.40
13 Sarah and Harry Captured Part 1 0.47
14 Sarah and Harry Captured Part 2 0.10
15 Cybership II 0.19
16 Enter Vorus 0.08
17 Remote Control Threat 0.33
18 Tyrum and Vorus 0.37
19 One More Pull 0.17
20 Caves Chase 0.50
21 Caves Chase Continued 0.29
22 Surrounded 0.35
23 Boarding Party 0.59
PART THREE
24 The Beacon is Ours 0.41
25 Tyrum Fanfare 0.15
26 Prisoners 0.13
27 Fresh Orders 0.19
28 It Cannot Be Stopped 0.21
29 Loose Thinking / The Bomb 1.27
30 The Countdown Has Commenced 1.01
31 Cybermarch 1.27
32 Radarscope 0.23
33 Adventures on Voga 1.19
34 Rockfall 1.15
PART FOUR
35 Surface Party and Detonation 1.47
36 Nine Minutes 0.26
37 Cybermat vs Cybermen 0.44
38 The Biggest Bang in History? 0.45
39 Waltz - All's Well That Ends Well 0.17
40 Doctor Who - Closing Title Theme (53" Version) 0.54
ALTERNATIVE AND SYNTHESISER CUES
PARTS ONE AND TWO
41 Sarah vs Cybermat (end of part 1 alternative) 0.20
42 Sarah vs Cybermat (start of part 2) 0.56
43 It's Happening All Over Again (random organ) 0.06
44 Sarah and Harry Captured (alternative) 0.46
45 Put That Gun Down (synth cue) 0.20
46 Cybership II (alternative) 0.24
47 Remote Control Threat (alternative) 0.35
48 One More Pull (alternative) and Vogan Gunfight 0.58
49 Cybership III (synth cue) 0.17
50 Caves Chase (alternative) 1.20
51 Cybership IV (synth cue) 0.23
52 Caves Chase Continued (alternative) 0.36
53 Surrounded (alternative) 0.38
54 Boarding Party (end of Part 2 alternative) 0.25
PART THREE
55 Jelly Babies (synth cue) 0.10
56 Tyrum Fanfare (edited cue as used) 0.10
57 It Cannot Be Stopped (alternative) 0.37
58 Loose Thinking (alternative) 0.31
59 The Bomb (alternative) 0.19
60 The Countdown Has Commenced (alternative) 0.06
61 Looped Cybermarch 0.29
62 Looped Cybermarch with Synth 0.47
63 Adventures on Voga (synth cues) 1.07
64 The Red Zone (Random Organ) 0.06
65 Heartbeat Countdown I (synth cue) 1.25
66 Heartbeat Countdown II (synth cue) 1.09
67 Rockfall (alternative) 1.17
BONUS TRACKS
68 Session Tapes - Random Organ, Specimen Gong, Timps 3.08
69 Session Tapes - m42a & 42b (improvs) 1.58