The Cult Classic Soundtrack to the 1970 Sci-Fi Movie Musical Starring Olivia Newton-John. First Time Reissued in Any Format.
Produced by Don Kirshner and Harry Saltzman. Toomorrow Was Groomed to Be the Next Kirshner Creation After the Monkees and the Archies. Composers Include Mark Barkan, Richie Adams and Hugo Montenegro. Liner Notes by Joe Marchese Remastered by Maria Triana at Battery Studios in NYC
Long before she was Sandy, the good girl of Rydell High, or Kira, the Olympian muse of the roller disco Xanadu, Olivia Newton-John was just plain Livvy, the girl singer with dreams of the big time in the 1970 sci-fi movie musical Toomorrow. This little-known motion picture was the brainchild of music impresario Don Kirshner and Harry Saltzman, best known for co-producing the first nine James Bond films with Albert R. Broccoli. And Toomorrow wasn’t just the movie’s title. After a lengthy talent search, Kirshner and Saltzman assembled the band Toomorrow, whom the music mogul modestly described as “the best-looking total group that ever existed.” Why the misspelling? As drummer Karl Chambers put it in the film itself, “I dig it! We’re too much, we’re too morrow!” At least Kirshner thought so?he had visions of Toomorrow achieving the success of his previous creations the Monkees and the Archies, and enlisted the aid of songwriters Mark Barkan and Richie Adams (along with composer Hugo Montenegro) for the movie’s bubblegum-meets-rock tunes. But, weighed down by legal problems surrounding Saltzman, and a premise?Toomorrow was going to save a race of aliens called the Alphoids from an existence-threatening “sterility of sound”?that was silly even by late-‘60s B-movie standards, the movie went nowhere. The soundtrack, however, boasting the nascent superstar Newton-John, has attained serious cult status over the years, and our Real Gone release marks its first reissue in any format, with notes by Joe Marchese and remastering by Maria Triana at Battery Studios in NYC. Like the cover says, “Launch out on a musical cosmic trip with the new ‘Toomorrow’!” ---レーベルより
トラックリスト
1. You’re My Baby 2. Taking Our Own Sweet Time 3. Toomorrow (Instrumental) 4. Let’s Move On 5. Walkin’ on Air (Instrumental) 6. If You Can’t Be Hurt 7. Toomorrow 8. Walkin’ on Air 9. Spaceport 10. Happiness Valley 11. Let’s Move On 12. Goin’ Back
ハリー・サルツマン＆ドン・カーシュナー製作、７０年代に絶大な人気を誇った女性シンガー、オリヴィア・ニュートン・ジョン主演のファンタジックなカルトSF青春映画のオリジナル･サウンドトラック｡世界初リリース！
トラックリストロンドンの音楽学校の学生４人が、“トゥモロー”というバンドを組んだ。彼らはたちまち大人気となり、そのエキサイティングなサウンドは、宇宙人をも惹きつけることになる。そして４人は、異星人たちを助けることになった……。 監督：ヴァル・ゲスト。1970年英。
The Cult Classic Soundtrack to the 1970 Sci-Fi Movie Musical Starring Olivia Newton-John.
First Time Reissued in Any Format.
Produced by Don Kirshner and Harry Saltzman.
Toomorrow Was Groomed to Be the Next Kirshner Creation After the Monkees and the Archies.
Composers Include Mark Barkan, Richie Adams and Hugo Montenegro.
Liner Notes by Joe Marchese
Remastered by Maria Triana at Battery Studios in NYC
Long before she was Sandy, the good girl of Rydell High, or Kira, the Olympian muse of the roller disco Xanadu, Olivia Newton-John was just plain Livvy, the girl singer with dreams of the big time in the 1970 sci-fi movie musical Toomorrow. This little-known motion picture was the brainchild of music impresario Don Kirshner and Harry Saltzman, best known for co-producing the first nine James Bond films with Albert R. Broccoli. And Toomorrow wasn’t just the movie’s title. After a lengthy talent search, Kirshner and Saltzman assembled the band Toomorrow, whom the music mogul modestly described as “the best-looking total group that ever existed.” Why the misspelling? As drummer Karl Chambers put it in the film itself, “I dig it! We’re too much, we’re too morrow!” At least Kirshner thought so?he had visions of Toomorrow achieving the success of his previous creations the Monkees and the Archies, and enlisted the aid of songwriters Mark Barkan and Richie Adams (along with composer Hugo Montenegro) for the movie’s bubblegum-meets-rock tunes. But, weighed down by legal problems surrounding Saltzman, and a premise?Toomorrow was going to save a race of aliens called the Alphoids from an existence-threatening “sterility of sound”?that was silly even by late-‘60s B-movie standards, the movie went nowhere. The soundtrack, however, boasting the nascent superstar Newton-John, has attained serious cult status over the years, and our Real Gone release marks its first reissue in any format, with notes by Joe Marchese and remastering by Maria Triana at Battery Studios in NYC. Like the cover says, “Launch out on a musical cosmic trip with the new ‘Toomorrow’!” ---レーベルより
1. You’re My Baby
2. Taking Our Own Sweet Time
3. Toomorrow (Instrumental)
4. Let’s Move On
5. Walkin’ on Air (Instrumental)
6. If You Can’t Be Hurt
7. Toomorrow
8. Walkin’ on Air
9. Spaceport
10. Happiness Valley
11. Let’s Move On
12. Goin’ Back