Quartet Records, in collaboration with GDM and EMI Music Publishing Italia, presents a remastered, expanded edition of Ennio Morricone’s avant-garde score for Elio Petri’s UN TRANQUILLO POSTO DI CAMPAGNA (aka A QUIET PLACE IN THE COUNTRY) (1968). The film, a psychological thriller-drama starring Franco Nero and Vanessa Redgrave, is about a renowned and neurotic painter (Nero), who after moving into a dilapidated rural villa to reinvigorate his creative energies, becomes obsessed with an uninhibited countess who died there many years prior.
The film inspired one of Morricone’s most fascinating scores, and one of his favorites. The composer based his ideas on two different musical styles: one more phantasmagorical, ethereal, and the other experimental, aggressive, with an essential contribution from the famous avant-garde group of which Morricone was a member: Gruppo D’improvisazione Nuova Consonanza. This musical duality allows Morricone to reflect how sanity gradually and irretrievably loses ground to madness in Franco Nero’s character.
Although the score was very striking at the time?and led Elio Petri, who had always changed composers in previous films, to rely on Ennio Morricone as an essential collaborator in all his remaining movies?it was not released commercially. We had to wait a decade for a suite to be included on a compilation LP that brought together some of the composer’s most experimental work for the cinema. In 2003, the Saimel label released the first official edition of the soundtrack, with a generous running time of 64 minutes and a program supervised by Morricone himself. The sound was entirely in mono, just as the tapes had survived. A few years later, GDM released a 40-minute CD with the recently discovered mock-up program for a General Music record that had been planned in 1968 and eventually canceled. It had less music, but it was all in stereo. For this Quartet edition, remastered by Chris Malone from the original master tapes, we have included the program for the stereo album, followed by a suite in four movements, the first three of which contain the music as presented in the movie, including unreleased cues, followed by a fourth movement containing unused and alternate tracks. Supervised by Claudio Fuiano, the release features a booklet that includes Simeone’s famous original painting on the cover and an essay by Miguel Angel Ordonez discussing the film and the score. Limited edition: 500 units
エリオ・ペトリ監督『怪奇な恋の物語』（1968年）のためにエンニオ・モリコーネが作曲した前衛的なスコアのリマスター、エクスパンデッド盤がリリース！
トラックリストこの映画はフランコ・ネロとヴァネッサ・レッドグレイヴ主演の心理スリラードラマで、高名で神経質な画家（ネロ）が創作意欲を取り戻すために荒廃した田舎の別荘に引っ越した後、そこで何年も前に亡くなった奔放な伯爵夫人に執着する。
この映画は、モリコーネの最も魅力的な音楽のひとつであり、彼のお気に入りのひとつでもある。この作曲家は、2つの異なる音楽スタイルに基づいてアイデアを練った。1つはより幻想的で幽玄なもの、もう1つは実験的で攻撃的なもので、モリコーネがメンバーだった有名な前衛グループの貢献が欠かせない： モリコーネがメンバーであった有名な前衛グループ、グルッポ・ドゥ・インプロヴァツィオーネ・ヌォーヴァ・コンソナンツァの貢献が不可欠である。この音楽的二面性によって、モリコーネはフランコ・ネロのキャラクターにおいて、正気が徐々に、そして取り返しのつかない形で狂気に負けていく様を映し出すことができた。
当時、このスコアは非常に印象的で、それまでの映画では常に作曲家を変えていたエリオ・ペトリが、残りのすべての映画でエンニオ・モリコーネを不可欠なコラボレーターとして頼るきっかけとなったが、商業的にはリリースされなかった。私たちは、この作曲家の映画のための最も実験的な作品を集めたコンピレーションLPに組曲が収録されるのを10年待たなければならなかった。2003年、SAIMELレーベルが初の公式盤をリリースした。
限定500枚。
Quartet Records, in collaboration with GDM and EMI Music Publishing Italia, presents a remastered, expanded edition of Ennio Morricone’s avant-garde score for Elio Petri’s UN TRANQUILLO POSTO DI CAMPAGNA (aka A QUIET PLACE IN THE COUNTRY) (1968). The film, a psychological thriller-drama starring Franco Nero and Vanessa Redgrave, is about a renowned and neurotic painter (Nero), who after moving into a dilapidated rural villa to reinvigorate his creative energies, becomes obsessed with an uninhibited countess who died there many years prior.
The film inspired one of Morricone’s most fascinating scores, and one of his favorites. The composer based his ideas on two different musical styles: one more phantasmagorical, ethereal, and the other experimental, aggressive, with an essential contribution from the famous avant-garde group of which Morricone was a member: Gruppo D’improvisazione Nuova Consonanza. This musical duality allows Morricone to reflect how sanity gradually and irretrievably loses ground to madness in Franco Nero’s character.
Although the score was very striking at the time?and led Elio Petri, who had always changed composers in previous films, to rely on Ennio Morricone as an essential collaborator in all his remaining movies?it was not released commercially. We had to wait a decade for a suite to be included on a compilation LP that brought together some of the composer’s most experimental work for the cinema. In 2003, the Saimel label released the first official edition of the soundtrack, with a generous running time of 64 minutes and a program supervised by Morricone himself. The sound was entirely in mono, just as the tapes had survived. A few years later, GDM released a 40-minute CD with the recently discovered mock-up program for a General Music record that had been planned in 1968 and eventually canceled. It had less music, but it was all in stereo. For this Quartet edition, remastered by Chris Malone from the original master tapes, we have included the program for the stereo album, followed by a suite in four movements, the first three of which contain the music as presented in the movie, including unreleased cues, followed by a fourth movement containing unused and alternate tracks. Supervised by Claudio Fuiano, the release features a booklet that includes Simeone’s famous original painting on the cover and an essay by Miguel Angel Ordonez discussing the film and the score.
Limited edition: 500 units
1. Fantasma 6:46
2. Un tranquillo posto di campagna 4:02
3. Il fantasma di Wanda 2:34
4. Frenesia 3:32
5. L’Automobile della contessina 1:11
6. Vuoi essere felice 2:24
7. I sogni dell’artista 1:09
8. Delirio primo 0:46
9. Lo spirito di Wanda 2:10
10. Delirio secondo 5:26
11. Un amore violento 3:02
12. Musica per undici violini 6:48
13-16. Un tranquillo posto di campagna (suite) 34:12
Total Disc Time: 78:59