ラモン・フェルナンデス監督による1969年のスペイン・イタリア合作コメディ映画のオリジナル・サウンドトラックが世界初リリース！ピエロ・ウミリアーニのキャッチーでハマるスコアです。ピエロ・ウミリアーニらしいテーマ（Oh che bella festa!）に、ボサノバ、ビート、スイング、ソフトジャズ、サンバなどのバリエーションを加え、印象的なコメディスコアを提供しました。この映画の官能的な雰囲気と、さまざまな誤解から生じる葛藤は、ウミリアーニのスコアがピッタリはまっています。
Quartet Records, in collaboration with Beat Records and Liuto Edizioni Musicali, presents world premiere release of the catchy, infectious score by Piero Umiliani (I SOLITI IGNOTI, SVEZIA INFERNO E PARADISO, ORGASMO, PARANOIA) for the successful Spanish-Italian comedy NO DESEARAS AL VECINO DEL 5o (aka DUE RAGAZZI DA MARCIPIEDE), directed by Ramon Fernandez in 1969, and starring Alfredo Landa, Jean Sorel and Ira von Furstenberg.
The film is about Dr. Andreu, who runs a gynecological practice in a provincial town without any success because he’s too handsome for the husbands of his patients. Meanwhile, his neighbor Anton, a dressmaker who pretends to be gay, succeeds because the parents and husbands of his customers do not object to him seeing them in their underwear. The doctor goes to Madrid to attend a conference and his colleagues take him to a cabaret. There he is amazed to see how Anton displays his hidden Celtiberian masculinity. The dressmaker confesses: he pretends to be what he is not in order to outwit the backwards society in which they live. In this environment, the two men’s friendship is misinterpreted as a sexual relationship, creating a confusing situation for which the doctor’s girlfriend and the dressmaker’s wife appear to find a solution.
Piero Umiliani provided a memorable comedy score, with a theme typical of the composer (Oh che bella festa!) subjected to several variations, flirting with bossa nova, beat, swing, soft jazz and samba. Both the climate of extreme sensuality and the conflicts generated by the various misunderstandings of the film found a good ally in Umiliani’s score.
Four cues were released on an EP in 1970 by Umiliani’s own label, Omicron. The complete score has been made possible thanks to the cooperation of the Umiliani family who found the original tapes?mislabeled with the wrong title?with the complete score in mint condition and beautiful stereo. Mastered by Chris Malone and supervised by Claudio Fuiano, the package included a 12-page booklet with liner notes by Spanish cinema specialist and documentarist Juan Sanchez.
ラモン・フェルナンデス監督による1969年のスペイン・イタリア合作コメディ映画のオリジナル・サウンドトラックが世界初リリース！ピエロ・ウミリアーニのキャッチーでハマるスコアです。ピエロ・ウミリアーニらしいテーマ（Oh che bella festa!）に、ボサノバ、ビート、スイング、ソフトジャズ、サンバなどのバリエーションを加え、印象的なコメディスコアを提供しました。この映画の官能的な雰囲気と、さまざまな誤解から生じる葛藤は、ウミリアーニのスコアがピッタリはまっています。
トラックリスト4つの楽曲は、1970年にウミリアーニ自身のレーベル、オミクロンからEPとしてリリースされました。この度、ウミリアーニ家の協力により、タイトル違いのオリジナルテープが新品同様の状態で発見され、美しいステレオで完全なスコアが収録されました。12ページのブックレットが同梱。限定350枚。
[ストーリー]
地方都市で婦人科の診療所を営むアンドレウ医師が、患者の夫にはハンサムすぎるという理由で、成功しない。一方、隣人のアントンはゲイのふりをした洋服屋で、客の両親や夫が下着姿を見ることに反対しないため、成功している。学会出席のためマドリードに行った医師は、同僚に連れられてキャバレーに行く。そこで彼は、アントンがセルティベリアの隠れた男らしさを発揮しているのを見て驚くことになる。ドレスメーカーは、自分たちが暮らす後ろ向きな社会から抜け出すために、自分を偽っているのだと告白する。このような環境の中で、2人の男の友情は性的関係と誤解され、混乱した状況を作り出し、医者のガールフレンドと洋服屋の妻は解決策を見出すために登場するのです。
監督：ラモン・フェルナンデス、出演：アルフレード・ランダ、ジャン・ソレル、アイラ・フォン・フュルステンベルク。1969年スペイン・イタリア。
Quartet Records, in collaboration with Beat Records and Liuto Edizioni Musicali, presents world premiere release of the catchy, infectious score by Piero Umiliani (I SOLITI IGNOTI, SVEZIA INFERNO E PARADISO, ORGASMO, PARANOIA) for the successful Spanish-Italian comedy NO DESEARAS AL VECINO DEL 5o (aka DUE RAGAZZI DA MARCIPIEDE), directed by Ramon Fernandez in 1969, and starring Alfredo Landa, Jean Sorel and Ira von Furstenberg.
The film is about Dr. Andreu, who runs a gynecological practice in a provincial town without any success because he’s too handsome for the husbands of his patients. Meanwhile, his neighbor Anton, a dressmaker who pretends to be gay, succeeds because the parents and husbands of his customers do not object to him seeing them in their underwear. The doctor goes to Madrid to attend a conference and his colleagues take him to a cabaret. There he is amazed to see how Anton displays his hidden Celtiberian masculinity. The dressmaker confesses: he pretends to be what he is not in order to outwit the backwards society in which they live. In this environment, the two men’s friendship is misinterpreted as a sexual relationship, creating a confusing situation for which the doctor’s girlfriend and the dressmaker’s wife appear to find a solution.
Piero Umiliani provided a memorable comedy score, with a theme typical of the composer (Oh che bella festa!) subjected to several variations, flirting with bossa nova, beat, swing, soft jazz and samba. Both the climate of extreme sensuality and the conflicts generated by the various misunderstandings of the film found a good ally in Umiliani’s score.
Four cues were released on an EP in 1970 by Umiliani’s own label, Omicron. The complete score has been made possible thanks to the cooperation of the Umiliani family who found the original tapes?mislabeled with the wrong title?with the complete score in mint condition and beautiful stereo. Mastered by Chris Malone and supervised by Claudio Fuiano, the package included a 12-page booklet with liner notes by Spanish cinema specialist and documentarist Juan Sanchez.
1. Oh che bella festa! (3:16)
2. Due Ragazzi da marciapiede (Seq. 1) (0:52)
3. Due Ragazzi da marciapiede (Seq. 2) (0:56)
4. Due Ragazzi da marciapiede (Seq. 3) (1:20)
5. Due Ragazzi da marciapiede (Seq. 4) (1:10)
6. Due Ragazzi da marciapiede (Seq. 5) (3:33)
7. Due Ragazzi da marciapiede (Seq. 6) (1:05)
8. Due Ragazzi da marciapiede (Seq. 7) (1:02)
9. Due Ragazzi da marciapiede (Seq. 8) (1:45)
10. Due Ragazzi da marciapiede (Seq. 9) (1:32)
11. Latin Lover (3:05)
12. Due Ragazzi da marciapiede (Seq. 10) (0:50)
13. Due Ragazzi da marciapiede (Seq. 11) (1:02)
14. Due Ragazzi da marciapiede (Seq. 12) (1:17)
15. Due Ragazzi da marciapiede (Seq. 13) (1:15)
16. Latin Lover (2:41)
17. Al ballo di carnevale (2:32)
18. Due Ragazzi da marciapiede (Seq. 14) (1:56)
19. Due Ragazzi da marciapiede (Seq. 15) (3:35)
20. Due Ragazzi da marciapiede (Seq. 16) (1:01)
21. Due Ragazzi da marciapiede (Seq. 17) (1:06)
22. Due Ragazzi da marciapiede (Seq. 18) (2:01)