GENTLEMAN B. I knew I wanted something in the evolution of a classical score that would allow room to experiment with techno. Our process was fairly simple and there was little revision. Basically, he got it! The mix of rap, Christmas and even edgy techno, along with all the live musicians, gave the score its compelling thread. Larry's music brings attention to the movie, not the instruments. And yet, there are still wonderful riffs and sequences which allow the score to explode. There's a rock and roll editorial to a well designed story-score filled with character themes. I've always wanted to work with a musical artist who can bring a richness that is reminiscent of the great composers, but sign it with his own name. Larry's signature is all over it.
テクノ・リズムを混ぜたオーケストラ・スコア。作曲家プロモ。CDRプレス
GENTLEMAN B.
I knew I wanted something in the evolution of a classical score that would allow room to experiment with techno. Our process was fairly simple and there was little revision. Basically, he got it! The mix of rap, Christmas and even edgy techno, along with all the live musicians, gave the score its compelling thread. Larry's music brings attention to the movie, not the instruments. And yet, there are still wonderful riffs and sequences which allow the score to explode. There's a rock and roll editorial to a well designed story-score filled with character themes. I've always wanted to work with a musical artist who can bring a richness that is reminiscent of the great composers, but sign it with his own name. Larry's signature is all over it.
? Jordan Alan ? Director