Kronos Records is very proud to present the soundtrack to the 1967 film, LA MORTE VESTITA DI DOLLAR (DOG EAT DOG aka WHEN STRANGERS MEET), starring Cameron Mitchell and Jayne Mansfield. The eclectic score was penned by none less than one of Italy's most active composers of the era and one of Kronos Records' top champions Maestro Carlo Savina.
The score includes several musical styles, all of which are rich in melody and filled with drama and vitality. The score is a vibrant and energetic one, the composer combining the big band jazz sound with that of a more luxurious and stylish aura that is linked with many movies that were produced during the 1960, s. For much of its duration the soundtrack leans towards a more traditional jazz style, which is in keeping with the films storyline and the period in which it is set. He composer utilizing to great effect piano, woodwind and at times lush string interludes that are quite grandiose and opulent sounding. The Maestro also employs a style and sound that is very much akin to the composing style of fellow Italian composers such as Piero Umiliani, Armando Trovajoli and Gianni Ferrio to identify a few. Savina makes effective use of organ solos and introduces and integrates these performances at key points within the work, the sound and style lending much support and atmosphere to the score as well as enhancement to the scenarios unfolding on screen. The use of organ was commonplace in so many Italian soundtracks, the instrumentation adding touches of drama, melancholy and fleeting hints of the sinister, when employed. The opening cue sets the scene perfectly for what we are about to hear, it is a fast-paced swing composition for percussion and brass and although short lived makes an impact immediately. Track two, is a more elaborated version of the opening cue and contains nice muted trumpet performances as well brushed drums and classy sounding piano. Track number three, is more dramatic in its sound and style, the composer employing strings that are supported by both percussive elements and brass, that when combined create a tense and urgent sound. Other cues as CONCERTO ROMANTICO, are quite powerful and emotive, the composer employing solo piano underlined by the string section, which add a certain classical sounding persona to the score. Whereas tracks such as RITMI DI LATTA are pure jazz/swing with vibes and saxophone combining with guitar, piano, percussion, bongos, and bass to purvey a groovy sounding piece, that has an infectious pace and appeal. When listening to this and other scores by the Maestro, it becomes very clear why he was in such demand and how versatile and talented he was.
A real gem that you cannot afford to miss!
Strictly Limited To 300 Copies.
発売日：2017/6/16
トラックリスト
1. Swing Frenetico 2. Stasi 3. Concerto Romantico 4. Ritmi Di Latta 5. Atmosfera Torbida 6. Suona Un Organo 7. Morte Di Un Ladro 8. Il Dramma 9. Caccia Spietata 10. Grottesco 11. Delitto 12. Incerto Candore 13. Agguato ed Assassinio 14. Atmosfera Sospesa 15. In Giallo 16. Ritratto Di Signora 17. Sospensione
tracks 1-17 The Original LP Program tracks 18-36 are previously unreleased bonus tracks, available for the first time ever!
KRONOSレーベルGOLD COLLECTIONシリーズ。大金を巡って殺し合いをする男女を描く1965年のバイオレンス・サスペンス映画のオリジナル・サウンドトラック。LPアルバム収録曲に加え、19曲の未発表曲を追加収録。限定300枚。
トラックリストアメリカの船から１００万ドルを奪ってイタリアの町のホテルに潜む男女。彼らは高飛びするために、ある島に渡ろうとするが、殺したはずの仲間が現われる。三人は島へ渡るが、ホテルの主人が大金を横取りしようと、妹とともに彼らを追う。だが、島の別荘では狂った老貴婦人と残虐な執事も大金の臭いを嗅ぎつけ、彼らが入り乱れて強奪戦が繰り広げられる……。監督： アルバート・ザグスミス、レイ・ナザロ、グスタフ・ガヴリン、出演： ジェーン・マンスフィールド、キャメロン・ミッチェル。1965年米／伊／独。
Kronos Records is very proud to present the soundtrack to the 1967 film, LA MORTE VESTITA DI DOLLAR (DOG EAT DOG aka WHEN STRANGERS MEET), starring Cameron Mitchell and Jayne Mansfield. The eclectic score was penned by none less than one of Italy's most active composers of the era and one of Kronos Records' top champions Maestro Carlo Savina.
The score includes several musical styles, all of which are rich in melody and filled with drama and vitality. The score is a vibrant and energetic one, the composer combining the big band jazz sound with that of a more luxurious and stylish aura that is linked with many movies that were produced during the 1960, s. For much of its duration the soundtrack leans towards a more traditional jazz style, which is in keeping with the films storyline and the period in which it is set. He composer utilizing to great effect piano, woodwind and at times lush string interludes that are quite grandiose and opulent sounding. The Maestro also employs a style and sound that is very much akin to the composing style of fellow Italian composers such as Piero Umiliani, Armando Trovajoli and Gianni Ferrio to identify a few. Savina makes effective use of organ solos and introduces and integrates these performances at key points within the work, the sound and style lending much support and atmosphere to the score as well as enhancement to the scenarios unfolding on screen. The use of organ was commonplace in so many Italian soundtracks, the instrumentation adding touches of drama, melancholy and fleeting hints of the sinister, when employed. The opening cue sets the scene perfectly for what we are about to hear, it is a fast-paced swing composition for percussion and brass and although short lived makes an impact immediately. Track two, is a more elaborated version of the opening cue and contains nice muted trumpet performances as well brushed drums and classy sounding piano. Track number three, is more dramatic in its sound and style, the composer employing strings that are supported by both percussive elements and brass, that when combined create a tense and urgent sound. Other cues as CONCERTO ROMANTICO, are quite powerful and emotive, the composer employing solo piano underlined by the string section, which add a certain classical sounding persona to the score. Whereas tracks such as RITMI DI LATTA are pure jazz/swing with vibes and saxophone combining with guitar, piano, percussion, bongos, and bass to purvey a groovy sounding piece, that has an infectious pace and appeal. When listening to this and other scores by the Maestro, it becomes very clear why he was in such demand and how versatile and talented he was.
A real gem that you cannot afford to miss!
Strictly Limited To 300 Copies.
発売日：2017/6/16
1. Swing Frenetico
2. Stasi
3. Concerto Romantico
4. Ritmi Di Latta
5. Atmosfera Torbida
6. Suona Un Organo
7. Morte Di Un Ladro
8. Il Dramma
9. Caccia Spietata
10. Grottesco
11. Delitto
12. Incerto Candore
13. Agguato ed Assassinio
14. Atmosfera Sospesa
15. In Giallo
16. Ritratto Di Signora
17. Sospensione
tracks 1-17 The Original LP Program
tracks 18-36 are previously unreleased bonus tracks, available for the first time ever!