Newly remastered presentation of our 1995 re-recording of Miklos Rozsa’s masterful score for Julius Caesar! Legendary Shakespeare telling of the events surrounding and following the assassination of the titular character saw production at MGM in 1953 under famed producer John Houseman, also-famed director Joseph L. Mankiewicz, with an equally famous cast that boasted Marlon Brando (Academy Award-nominated for Best Actor) plus James Mason, John Gielgud, Louis Calhern, Edmond O’Brien, Greer Carson, Deborah Kerr. Film was nominated for the Best Picture Oscar as well. Though Caesar is the catalyst for an intense tale of murder, intrigue and Roman warfare, it remains the towering figures of Caesar’s noble friend and Roman General, Mark Antony, in conflict with Caesar’s closest friend and eventual assassin, Brutus, that steers the drama. Miklos Rozsa anchored his potent score on these dual principals, offering not one but two primary themes that compliment and ultimately conflict with each other in an incredible final display. With his “Julius Caesar Overture”, Rozsa introduces Brutus with a rich, somber minor key theme for strings, while Roman fanfares accentuate. It’s a dark-tinged and brooding line that portends tragedy. Now enter Rozsa’s “Praeludium” heard underneath the opening credits, and Brutus gives way to the regal and martial Caesar theme, later to skillfully emerge Antony’s theme as he becomes Caesar’s avenger. How these two themes play independently for most of the score encompasses much of the 55-minutes of music. One superb highlight can be heard with the lengthy “Brutus’ Soliloquy”, in which his theme eschews all brass and unfolds with unusually thick, lugubrious writing for strings emphasizing the lower and middle registers. It surely qualifies as one of Rozsa’s great pieces! Other contrasting ideas appear as well, including numerous Roman fanfares, processions and dramatic sequences involving storms, battles and the murder itself. And then there is that incredible moment when both primary themes play, then collide… with one of them finally winning the conflict.: “Caesar, Now Be Still” finds Brutus the assassin’s army being destroyed by Antony the avenger’s army. Rozsa works with the former’s tragic theme as Caesar’s once-friend now need fall on his own sword. Emerging at first from a distance then inexorably taking command, Antony’s (Caesar’s) theme becomes a powerful Roman march, climaxing in a resplendent display of fortissimo brass and percussion. Wow! Rozsa’s complete score, including much music not used in the final film, was beautifully reconstructed by Daniel Robbins from Rozsa’s own manuscripts. Three brief alternates make their debut. Veteran composer/conductor Bruce Broughton leads the superb Sinfonia of London, augmented by the Sinfonia Chorus and soprano soloist Jane Emmanuel. Engineer Mike Ross-Trevor records and mixes at AIR Studios in London, Booklet notes by Tony Thomas, Douglass Fake with Douglass Fake producing. Completely remastered presentation available in limited quantitiy on CD with new packaging designed by Kay Marshall before moving on to live as a digital release only.
This CD release will only be available for 45 days and goes off sale October 15 2021 or when supplies run out. This CD release will only be available for 45 days and goes off sale October 15 2021 or when supplies run out.
シェイクスピアの戯曲を忠実に映画化した1953年度作品。音楽はこの作品でアカデミー賞にノミネートされたミクロス・ローザ。1995年にブルース・ブロートン指揮、シンフォニア・オブ・ロンドンとコーラスで再録音したアルバムをリマスターして再発売！
トラックリストなおこのCDは2021年10月15日までの限定販売、もしくは在庫限りの販売で、その後はハイレゾ音源のデジタルでのダウンロード販売になります。（レーベルのサイト、他ダウンロードサイトにて） CDで欲しい方は迷わず、お急ぎでご注文ください。
紀元前４４年のローマ、シーザー（ ルイス・カルハーン）は帝位に就こうとして、反シーザー派カシウス（ジョン・ギールグッド）、カスカ（エドモンド・オブライエン）たちの反対にあい、親友ブルータス（ジェームズ・メイソン）にも裏切られて殺された。共和制を守るという大義を持っていたブルータスは、シーザーの信奉者アントニー（マーロン・ブランド）の追悼演説によって謀反者の烙印を押され、反シーザー派と共にローマを追われる。結局、彼らはハイリボの決戦でアントニーに敗れ、カシウス、ブルータスは自決した。女優陣は、シーザーの妻にガースン、ブルータスの妻にカー。アカデミー賞の〈白黒〉美術監督賞、ナショナル・ボード・オブ・レヴュー賞の作品賞・男優賞（ジェームズ・メイスン）、英アカデミー賞の英国男優賞（ジョン・ギールグッド）・外国男優賞（マーロン・ブランド）を受賞。前記の演技賞受賞３者はキャスティングの妙もあって秀逸、マンキウィッツもキャリアの絶頂期にあたり演出は手堅く、とくにアントニーの演説シーンのローマ市民の次第に興奮するカット・バックあたりは映画ならではの演出。
監督：ジョセフ・Ｌ・マンキウィッツ。1953年米。
Newly remastered presentation of our 1995 re-recording of Miklos Rozsa’s masterful score for Julius Caesar! Legendary Shakespeare telling of the events surrounding and following the assassination of the titular character saw production at MGM in 1953 under famed producer John Houseman, also-famed director Joseph L. Mankiewicz, with an equally famous cast that boasted Marlon Brando (Academy Award-nominated for Best Actor) plus James Mason, John Gielgud, Louis Calhern, Edmond O’Brien, Greer Carson, Deborah Kerr. Film was nominated for the Best Picture Oscar as well. Though Caesar is the catalyst for an intense tale of murder, intrigue and Roman warfare, it remains the towering figures of Caesar’s noble friend and Roman General, Mark Antony, in conflict with Caesar’s closest friend and eventual assassin, Brutus, that steers the drama. Miklos Rozsa anchored his potent score on these dual principals, offering not one but two primary themes that compliment and ultimately conflict with each other in an incredible final display. With his “Julius Caesar Overture”, Rozsa introduces Brutus with a rich, somber minor key theme for strings, while Roman fanfares accentuate. It’s a dark-tinged and brooding line that portends tragedy. Now enter Rozsa’s “Praeludium” heard underneath the opening credits, and Brutus gives way to the regal and martial Caesar theme, later to skillfully emerge Antony’s theme as he becomes Caesar’s avenger. How these two themes play independently for most of the score encompasses much of the 55-minutes of music. One superb highlight can be heard with the lengthy “Brutus’ Soliloquy”, in which his theme eschews all brass and unfolds with unusually thick, lugubrious writing for strings emphasizing the lower and middle registers. It surely qualifies as one of Rozsa’s great pieces! Other contrasting ideas appear as well, including numerous Roman fanfares, processions and dramatic sequences involving storms, battles and the murder itself. And then there is that incredible moment when both primary themes play, then collide… with one of them finally winning the conflict.: “Caesar, Now Be Still” finds Brutus the assassin’s army being destroyed by Antony the avenger’s army. Rozsa works with the former’s tragic theme as Caesar’s once-friend now need fall on his own sword. Emerging at first from a distance then inexorably taking command, Antony’s (Caesar’s) theme becomes a powerful Roman march, climaxing in a resplendent display of fortissimo brass and percussion. Wow! Rozsa’s complete score, including much music not used in the final film, was beautifully reconstructed by Daniel Robbins from Rozsa’s own manuscripts. Three brief alternates make their debut. Veteran composer/conductor Bruce Broughton leads the superb Sinfonia of London, augmented by the Sinfonia Chorus and soprano soloist Jane Emmanuel. Engineer Mike Ross-Trevor records and mixes at AIR Studios in London, Booklet notes by Tony Thomas, Douglass Fake with Douglass Fake producing. Completely remastered presentation available in limited quantitiy on CD with new packaging designed by Kay Marshall before moving on to live as a digital release only.
This CD release will only be available for 45 days and goes off sale October 15 2021 or when supplies run out.
This CD release will only be available for 45 days and goes off sale October 15 2021 or when supplies run out.
Play all clips
01. Julius Caesar Overture (3:16)
02. Praeludium (3:38)
03. Caesar’s Procession (2:47)
04. Flavius Arrested (0:19)
05. Feast Of Lupercal (0:44)
06. Caesar And His Train (0:53)
07. The Scolding Winds (2:42)
08. Brutus’ Soliloquy (6:35)
09. Brutus’ Secret (2:12)
10. They Murder Caesar (1:09)
11. The Ides Of March (4:38)
12. Black Sentence (3:58)
13. Brutus’ Camp (1:32)
14. Heavy Eyes (1:50)
15. Gentle Knave (Full Strings) (2:09)
16. Ghost Of Caesar (1:43)
17. Most Noble Brutus (1:12)
18. Battle At Philippi (1:29)
19. Titinius Enclosed (0:41)
20. Caesar, Now Be Still! (9:12)
21. Finale (1:12)
Total Score Time: 54:29
The Extras
22. Praeludium (Alternate) (3:37)
23. Flourish (Alternate) (0:15)
24. Gentle Knave (Chamber Orchestra) (1:16)
Total Extras Time: 5:13
Total CD Time: 59:53