A set of recordings made by Krzysztof Komeda at the Educational Film Studio in ?od?. Phenomenal jazz illustrations for three excellent films by Edward Etler from 1963-65 and an absolute rarity - film music performed by Komeda's Sextet from 1956!
In the first half of the 1960s, Krzysztof Komeda successfully divided his time between composing his own jazz music and performing it with his bands, and working on film scores. In this field, he also often drew on jazz forms and harmonies - which can be clearly heard, for example, in the educational films directed by Edward Etler. The music for Kraksa features poignant saxophone phrases, Okolice peronow intrigues with its subtlety, while Twarz wroga features trance motifs and almost free jazz escapades. The album is complemented by a sensational find: music recorded by Komeda's Sextet in 1956 for Stanis?aw Kokesz's film Mrowcze szlaki (Ant Trails). This was Komeda's first venture into film music, two years before he began working with Roman Polanski.
The recordings on the album have been remastered from the original tapes from the archives of the Educational Film Studio in ?od?. The booklet includes photos from the films and a sketch by Andrzej Winiszewski on Krzysztof Komeda's collaboration with the WFO. Kraksa continues a series of albums exploring the rich musical archives of the Educational Film Studio in ?od?. It is a multi-layered journey into a factory of the unexpected, where artists as diverse as Zdzis?aw Szostak, Wojciech Kilar, Henryk Ku?niak, and Jozef Skrzek with SBB discovered their potential.
クリストファー・コメダ（別名：クリシトフ・コメダ）がウッチの教育映画製作会社で録音した作品集。1963年から65年にかけてエドワード・エトラーが制作した3本の傑作映画のための驚異的なジャズ音楽、そして1956年にコメダ・セクステットが演奏した映画音楽という、まさに唯一無二の作品集！
トラックリスト1960年代前半、クリストフ・コメダは、自身のジャズ音楽の創作と、自身のバンドによる演奏、そして映画音楽の制作という3つの活動を、見事に両立させていました。この分野でも、彼はしばしばジャズの形式やハーモニーを取り入れており、それはエドワード・エトラー監督の教育映画などでよく聞くことができます。『Kraksy』の音楽には、胸を打つサックスのフレーズが盛り込まれ、『Okolice peronow』は繊細さで、そして『Twarz wroga』はトランス的なモチーフと、ほぼフリージャズに近い逃避行で、リスナーを魅了します。このアルバムは、センセーショナルな発見である、1956年にコメディ・セクステットがスタニスワフ・コケシュの映画『Mrowcze szlaki (蟻の道)』のために録音した楽曲で締めくくられています。これは、ロマン・ポランスキーとの協力関係が始まる2年前、コメディが映画音楽に初めて挑戦した作品です。
CDに収録された音源は、ウッチの教育映画製作会社（WFO）のアーカイブにあるオリジナルテープからリマスターされたもの。ブックレットには、映画からの写真と、クリストフ・コメダとWFOの協力関係についてアンドジェイ・ヴィニシェフスキが描いたスケッチが掲載されている。「Kraksa」は、ウッチの教育映画製作会社の豊富な音楽アーカイブを発掘するシリーズを継続する作品です。
（自動翻訳-一部修正）
A set of recordings made by Krzysztof Komeda at the Educational Film Studio in ?od?. Phenomenal jazz illustrations for three excellent films by Edward Etler from 1963-65 and an absolute rarity - film music performed by Komeda's Sextet from 1956!
In the first half of the 1960s, Krzysztof Komeda successfully divided his time between composing his own jazz music and performing it with his bands, and working on film scores. In this field, he also often drew on jazz forms and harmonies - which can be clearly heard, for example, in the educational films directed by Edward Etler. The music for Kraksa features poignant saxophone phrases, Okolice peronow intrigues with its subtlety, while Twarz wroga features trance motifs and almost free jazz escapades. The album is complemented by a sensational find: music recorded by Komeda's Sextet in 1956 for Stanis?aw Kokesz's film Mrowcze szlaki (Ant Trails). This was Komeda's first venture into film music, two years before he began working with Roman Polanski.
The recordings on the album have been remastered from the original tapes from the archives of the Educational Film Studio in ?od?. The booklet includes photos from the films and a sketch by Andrzej Winiszewski on Krzysztof Komeda's collaboration with the WFO. Kraksa continues a series of albums exploring the rich musical archives of the Educational Film Studio in ?od?. It is a multi-layered journey into a factory of the unexpected, where artists as diverse as Zdzis?aw Szostak, Wojciech Kilar, Henryk Ku?niak, and Jozef Skrzek with SBB discovered their potential.
1-7. Kraksa (1963)
8-16. Okolice peronow (1964)
17-21. Twarz wroga (1965)
22-24. Mrowcze szlaki (1956)