Two of Italy's top soundtrack musicians, Nino Rota and Armando Trovajoli, are responsible for the exciting music featured in Boccaccio ‘70. Rota has been the composer of dozens of famous film soundtracks and his music contributed greatly to Fellini's previous hit films, “La Strada,” “I Vitelloni” and “La Dolce Vita.” In “The Temptation of Dr. Antonio,” Rota subtly underlines the obsession for morality which dominates the life of Dr. Antonio, the leading character in the episode . . . and his sensitive musical comment on Visconti's contribution to Boccaccio ‘70 ? “The Job”-is a unique asset to the great director's work. Armando Trovajoli is the composer of the musical commentary to De Sica's “The Raffle.” Trovajoli was the first composer to induce Sophia Loren to sing in a film . . . and in “The Raffle,” Sophia sings again. The strikingly effective underscoring for Boccaccio ‘70, composed by these two outstanding musicians, is in no small way responsible for the smash box-office success of the film around the world (from original liner notes) Limited edition of 500 copies
発売日：2018/3/29
トラックリスト
Side A: A1 Soldi, Soldi, Soldi A2 Title Theme A3 Riffa Cha Cha A4 Luna Park March A5 Twist Della Balera A6 Valzerino Della Riffa A7 Finale Side B: B1 A Spasso Per Roma B2 Bevete Piu Latte! B3 La Grande Seduzione B4 Slow di Pupe B5 Radiolina Di Pupe
イタリア映画界の4人の巨匠たちによる４編のオムニバスで、傑作サントラがアナログ盤でリリース！500枚限定盤。
トラックリスト元々は４編のオムニバスだが、日本劇場公開版はマリオ・モニチェッリの監督したエピソードをカット（ビデオ・DVDには収録。）『デカメロン』の中世イタリアの作家ボッカチオが現代に生きていたら、こんな挿話をその著書に書き入れたかも知れない--。そんな発想で生まれた物語四編を、イタリア映画お得意のオムニバス形式で映画化した６２年度作品（だから題名の“'７０”は当時から見たら近未来を指していたのだ）。日本では無名のマリオ・モニチェッリの担当作、音楽はピエロ・ウミリアーニ（結婚間近の男女の日常を明るく描いたもので、日本人には親しみやすい素直な青春譚だ）はカットされ、残るすでに知られた巨匠たちの三編で公開となった。第一話デ・シーカの「くじびき」。音楽はアルマンド・トロヴァヨーリ。北イタリアの片田舎で、遊園地の射的場を営む父の借金のカタに、クジの一等賞にされる娘ゾーエ（ローレン）をめぐっての男たちの狂騒をペーソスを漂わせつつコミカルに綴っている。ゾーエには隣村に恋人がいたが、一等を当てた冴えない寺男の母に“一生の想い出に一夜だけでも息子とつきあってくれ”と懇願される……。第二話は「誘惑」、フェリーニ作。音楽はニーノ・ロータ。熱心なカソリックの道徳家アントニオ博士は、部屋の前の広場に建てられた大看板のグラマー美女（エクバーグ）に激昂するが、いつしかそれは夢にまで現われ……というフェリーニ的な大らかなユーモアが実に楽しい。三話目はヴィスコンティ「現金」で、貴族の若夫婦の倦怠を皮肉っぽく描く。浮気性の夫をやりこめようと、娼婦に化けて誘惑の電話をしたはいいが、あまりに素っ気なく話に乗ったので、シラけた妻はそれから夫と寝る際には報酬を要求することに決める。音楽はニーノ・ロータ。いずれも作者の持ち味の出た作品の並んだ好企画と言えよう。1962年伊・仏。
Two of Italy's top soundtrack musicians, Nino Rota and Armando Trovajoli, are responsible for the exciting music featured in Boccaccio ‘70. Rota has been the composer of dozens of famous film soundtracks and his music contributed greatly to Fellini's previous hit films, “La Strada,” “I Vitelloni” and “La Dolce Vita.” In “The Temptation of Dr. Antonio,” Rota subtly underlines the obsession for morality which dominates the life of Dr. Antonio, the leading character in the episode . . . and his sensitive musical comment on Visconti's contribution to Boccaccio ‘70 ? “The Job”-is a unique asset to the great director's work. Armando Trovajoli is the composer of the musical commentary to De Sica's “The Raffle.” Trovajoli was the first composer to induce Sophia Loren to sing in a film . . . and in “The Raffle,” Sophia sings again. The strikingly effective underscoring for Boccaccio ‘70, composed by these two outstanding musicians, is in no small way responsible for the smash box-office success of the film around the world (from original liner notes) Limited edition of 500 copies
発売日：2018/3/29
Side A:
A1 Soldi, Soldi, Soldi
A2 Title Theme
A3 Riffa Cha Cha
A4 Luna Park March
A5 Twist Della Balera
A6 Valzerino Della Riffa
A7 Finale
Side B:
B1 A Spasso Per Roma
B2 Bevete Piu Latte!
B3 La Grande Seduzione
B4 Slow di Pupe
B5 Radiolina Di Pupe