『THE DON DAVIS COLLECTION, VOLUME 2』のデジタル版には、物理的なリリースには収められなかった『VALENTINE』の組曲であるボーナストラックが収録されています。 限定盤。 --- レーベルより。（機械翻訳・一部修正）
Dragon's Domain Records presents THE DON DAVIS COLLECTION, VOLUME 2 featuring the world premiere releases of VALENTINE and BLACKOUT, two horror films from the composer's extensive filmography.
Released in 2001, VALENTINE is a dark comedy/horror film directed by Jamie Blanks, written by Tom Savage, Donna Powers and Wayne Powers, starring Denise Richards, David Boreanaz, Marley Shelton, Jessica Capshaw, Jessica Cauffiel, Katherine Heigl, Hedy Burress, Fulvio Cecere, Daniel Cosgrove, Johnny Whitworth, Woody Jeffreys and Adam Harrington.
Based on the novel by Tom Savage, VALENTINE begins during a St. Valentines Day dance at a San Francisco junior high school, where socially outcast Jeremy is repeatedly rejected by four popular girls. When he meets Dorothy and gets a chance to kiss her behind the bleachers, they are caught by the school bully and his friends. Embarrassed, Dorothy makes a false claim that she was attacked. The other boys beat up Jeremy, who is then expelled, tried for the alleged assault, and committed to a mental institution.
Thirteen years later, one of the popular girls, Shelly (Heigl), receives a threatening Valentine's Day card simply signed “J.M.”. Shortly after, she is attacked and killed by a figure wearing a trench coat and a Cupid mask. At her funeral, the other girls, Kate (Shelton), Lily (Cauffiel), Paige (Richards) and Dorothy (Capshaw) discover they've all received mysterious cards. One by one, the women fall victim to the masked killer...
The score for VALENTINE is a very dark effort, largely non-melodic, but nevertheless, quite colorful in its sonic palette. This presentation is made up from the composer's original demos, which are virtually identical to what ended up in the finished film.
Released in 1988, BLACKOUT is a thriller directed by Doug Adams, written by Joseph Stefano and Laura Ferguson, starring Gail O'Grady, Carol Lynley, Michael Keys Hall, Joseph Gian, Deena Freeman, Joanna Miles and Scott Lincoln.
BLACKOUT follows Caroline (O'Grady), a young woman estranged from her family who returns to her childhood home after receiving a cryptic letter from her long absent father who abandoned her and her mother years earlier. Upon arrival, Caroline navigates strained interactions with her mother, Esther (Lynley) and her stepfather, Richard (Lincoln), who has a more welcoming demeanor. These encounters set the stage for Caroline's exploration of the familiar yet unsettling house, where everyday objects and spaces begin to stir vague, disorienting sensations from her past...
Emmy winning composer Don Davis began playing trumpet and piano at the age of nine and started writing music at twelve. As his affinity for music grew, so did his aspirations, and soon he was composing and arranging orchestral charts for local jazz ensembles that he also performed with. After graduation from high school, Davis furthered his study of music at UCLA, majoring in music theory and composition, playing trumpet in college jazz ensembles and orchestras. After graduation from UCLA, Davis continued to study composition with Henri Lazarof and orchestration under Albert Harris. Harris introduced the young Davis to film and television composer Joe Harnell, best known for his work on TV shows such as V and THE INCREDIBLE HULK. He was immediately impressed by Davis' attention to orchestral detail, especially as evidenced by a chamber symphony Davis was writing at the time. Harnell became a mentor to Davis and introduced him to the professional world of film and television scoring. His early compositional work caught the attention of composer Lee Holdridge, who had penned the theme music for the television series BEAUTY AND THE BEAST and he helped Davis land the job composing weekly scores for the show. Davis' rich orchestral style meshed perfectly with the tone of the show, and he went on to win an Emmy for his work and achieve great acclaim as one of television's most gifted young composers.
After BEAUTY AND THE BEAST, Davis found his career as a composer soaring and he was commissioned to compose scores for dozens of top television movies and series, including SEAQUEST DSV, HOUSE OF FRANKENSTEIN, Peter Benchley's THE BEAST, TINY TOON ADVENTURES and STAR TREK: THE NEXT GENERATION. In 1997, Davis composed the score for Larry and Andy Wachowski's off-beat thriller BOUND, and the directing brothers immediately formed a close working relationship with Davis. The Wachowskis and Davis again collaborated on the MATRIX Trilogy. Davis' work for the three scores incorporated elements of popular music, electronic synthesizer effects, and even a touch of the avant-garde.
Dragon's Domain Records presents THE DON DAVIS COLLECTION, VOLUME 2, featuring the world premiere releases for VALENTINE and BLACKOUT, with liner notes written by author David Hirsch and G.B. Kemner. The music has been mastered by James Nelson at Digital Outland.
The digital release for THE DON DAVIS COLLECTION, VOLUME 2 includes a bonus track, a suite for VALENTINE that would not fit on the physical release.
THE DON DAVIS COLLECTION, VOLUME 2 is a limited edition release. 2026/3/2の週発売
トラックリスト
VALENTINE 01. Opening Titles (3:20) 02. The Scalpel Of Fate / Cupid Is As Cupid Does (3:00) 03. Sadness For Sally (3:54) 04. Wait For Kate (2:37) 05. Sweets For The Sweet / Lily Eats It (4:51) 06. Late With Kate / Let’s Berate Kate (3:08) 07. Campbell In The Closet (3:34) 08. Ruthie’s Remorse (3:37) 09. A Rose For Paige / Dorothy Distraught (4:04) 10. Vaughn On The Lawn (2:07) 11. Dorothy Deceased (8:07) 12. Wherefore Art Thou? / Closing Credits (4:07) 13. Exhibition Music (1:08) BLACKOUT
『ドン・デイヴィス・コレクションVol.2』がリリース！作曲家の膨大なフィルモグラフィーから、世界初リリースとなるホラー映画『バレンタイン』と『サイコ・ドリーム』のオリジナル・サウンドトラックをカップリング収録！
トラックリスト2001年公開の『バレンタイン』は、ジェイミー・ブランクス監督、トム・サベージ、ドナ・パワーズ、ウェイン・パワーズ脚本によるダーク・コメディ／ホラー作品。デニース・リチャーズ、デヴィッド・ボレアナズ、マーリー・シェルトン、ジェシカ・キャップショー、ジェシカ・カウフィール、キャサリン・ハイグル、ヘディ・バレス、フルヴィオ・チェチェレ、ダニエル・コスグローブ、ジョニー・ウィットワース、ウッディ・ジェフリーズ、アダム・ハリントンが出演。
トム・サベージの小説を原作とする『バレンタイン』は、サンフランシスコの中学校で行われた聖バレンタインデーのダンスパーティーから始まる。社会的に疎外されたジェレミーは、4人の人気女子生徒から繰り返し拒絶される。彼がドロシーと出会い、観覧席の裏でキスする機会を得るが、学校のいじめっ子とその仲間たちに発見されてしまう。恥ずかしさに駆られたドロシーは、自分が襲われたと虚偽の主張をする。他の男子生徒たちはジェレミーを暴行し、彼は退学処分となった後、虚偽の暴行容疑で裁判にかけられ、精神病院に収容される。
13年後、当時人気だった女子生徒の一人、シェリー（ヘイグル）が「J.M.」とだけ署名された脅迫的なバレンタインカードを受け取る。間もなく、トレンチコートにキューピッドのマスクを被った人物に襲われ、殺害される。彼女の葬儀で、残りの女子たち―ケイト（シェルトン）、リリー（カウフィール）、ペイジ（リチャーズ）、ドロシー（キャップショー）―は皆が謎のカードを受け取っていたことに気づく。次々と女性たちは仮面の殺人鬼の犠牲となっていく…
『バレンタイン』の音楽は非常に暗く、ほとんど旋律的ではないが、それでも音響的色彩は豊かだ。このプレゼンテーションは、作曲家によるオリジナルのデモ音源で構成されており、完成した映画で使用されたものとほぼ同じです。
1988年に公開された『サイコ・ドリーム』は、ダグ・アダムズ監督、ジョセフ・ステファノとローラ・ファーガソン脚本、ゲイル・オグレイディ、キャロル・リンリー、マイケル・キーズ・ホール、ジョセフ・ジャン、ディーナ・フリーマン、ジョアンナ・マイルズ、スコット・リンカーン主演のスリラー映画。
『サイコ・ドリーム』は、幼い頃に母親と共に捨てた父親から謎めいた手紙を受け取った後、故郷の家に戻るキャロライン（オグレイディ）を描く。彼女は家族と疎遠になっていた。到着後、キャロラインは母親のエステル（リンリー）や、より歓迎的な態度を見せる継父のリチャード（リンカーン）とのぎこちない交流を経験する。こうした出会いがきっかけとなり、キャロラインは、見慣れた、しかし不安を覚えるその家を探索し始める。そこでは、日常的な物や空間が、彼女の過去からの漠然とした、混乱を招く感覚を呼び起こし始めるのだ...
エミー賞受賞作曲家、ドン・デイヴィスは 9 歳でトランペットとピアノを始め、12 歳で作曲を始めました。音楽への親和性が高まるにつれて、彼の志も大きくなり、すぐに、自身が演奏もしていた地元のジャズアンサンブルのために、オーケストラの楽譜の作曲や編曲を行うようになりました。高校卒業後は、UCLA で音楽理論と作曲を専攻し、大学のジャズアンサンブルやオーケストラでトランペットを演奏しながら、音楽の研究をさらに深めました。UCLA 卒業後も、デイヴィスはアンリ・ラザロフに作曲を、アルバート・ハリスにオーケストレーションを師事し続けました。ハリスは、テレビ番組「V」や「インクレディブル・ハルク」などの作品で知られる、映画・テレビ作曲家のジョー・ハーネルに、若きデイヴィスを紹介しました。ハーネルは、デイヴィスが当時作曲していた室内交響曲に特に表れている、オーケストラの細部へのこだわりに、すぐに感銘を受けました。ハーネルはデイヴィスの師となり、映画やテレビの音楽制作というプロの世界に彼を紹介しました。デイヴィスの初期の作曲作品は、テレビシリーズ「美女と野獣」のテーマ音楽を担当した作曲家、リー・ホールドリッジの注目を集め、彼はデイヴィスが同番組の毎週の音楽制作の仕事を得る手助けをしました。デイヴィスの豊かなオーケストラのスタイルは、この番組のトーンに完璧にマッチし、彼はその仕事によりエミー賞を受賞し、テレビ界で最も才能のある若手作曲家の一人として高い評価を得ました。
『美女と野獣』の後、デイヴィスの作曲家としてのキャリアは飛躍的に伸び、彼は『シークエスト２／新造シークエスト完成』、『ハウス・オブ・フランケンシュタイン』、『ザ・ビースト／巨大イカの逆襲』、『タイニー・トゥーンズ』、『スタートレック：ネクスト・ジェネレーション』など、数十ものトップテレビ映画やシリーズの音楽制作を依頼されました。1997年、デイヴィスはラリー＆アンディ・ウォシャウスキー兄弟の型破りなスリラー映画『バウンド』の音楽を担当し、監督である兄弟はすぐにデイヴィスと緊密な協力関係を築きました。ウォシャウスキー兄弟とデイヴィスは『マトリックス』3部作でも再びコラボレーションしました。3作の音楽には、ポピュラー音楽、電子シンセサイザーのエフェクト、さらには前衛的な要素も取り入れられています。
このアルバムは、『バレンタイン』と『サイコ・ドリーム』の世界初リリース作品で、ライナーノーツは作家デヴィッド・ハーシュと G.B. ケムナーが執筆。音楽のマスタリングは、デジタル・アウトランドのジェームズ・ネルソンが担当。
『THE DON DAVIS COLLECTION, VOLUME 2』のデジタル版には、物理的なリリースには収められなかった『VALENTINE』の組曲であるボーナストラックが収録されています。
限定盤。 --- レーベルより。（機械翻訳・一部修正）
Dragon's Domain Records presents THE DON DAVIS COLLECTION, VOLUME 2 featuring the world premiere releases of VALENTINE and BLACKOUT, two horror films from the composer's extensive filmography.
Released in 2001, VALENTINE is a dark comedy/horror film directed by Jamie Blanks, written by Tom Savage, Donna Powers and Wayne Powers, starring Denise Richards, David Boreanaz, Marley Shelton, Jessica Capshaw, Jessica Cauffiel, Katherine Heigl, Hedy Burress, Fulvio Cecere, Daniel Cosgrove, Johnny Whitworth, Woody Jeffreys and Adam Harrington.
Based on the novel by Tom Savage, VALENTINE begins during a St. Valentines Day dance at a San Francisco junior high school, where socially outcast Jeremy is repeatedly rejected by four popular girls. When he meets Dorothy and gets a chance to kiss her behind the bleachers, they are caught by the school bully and his friends. Embarrassed, Dorothy makes a false claim that she was attacked. The other boys beat up Jeremy, who is then expelled, tried for the alleged assault, and committed to a mental institution.
Thirteen years later, one of the popular girls, Shelly (Heigl), receives a threatening Valentine's Day card simply signed “J.M.”. Shortly after, she is attacked and killed by a figure wearing a trench coat and a Cupid mask. At her funeral, the other girls, Kate (Shelton), Lily (Cauffiel), Paige (Richards) and Dorothy (Capshaw) discover they've all received mysterious cards. One by one, the women fall victim to the masked killer...
The score for VALENTINE is a very dark effort, largely non-melodic, but nevertheless, quite colorful in its sonic palette. This presentation is made up from the composer's original demos, which are virtually identical to what ended up in the finished film.
Released in 1988, BLACKOUT is a thriller directed by Doug Adams, written by Joseph Stefano and Laura Ferguson, starring Gail O'Grady, Carol Lynley, Michael Keys Hall, Joseph Gian, Deena Freeman, Joanna Miles and Scott Lincoln.
BLACKOUT follows Caroline (O'Grady), a young woman estranged from her family who returns to her childhood home after receiving a cryptic letter from her long absent father who abandoned her and her mother years earlier. Upon arrival, Caroline navigates strained interactions with her mother, Esther (Lynley) and her stepfather, Richard (Lincoln), who has a more welcoming demeanor. These encounters set the stage for Caroline's exploration of the familiar yet unsettling house, where everyday objects and spaces begin to stir vague, disorienting sensations from her past...
Emmy winning composer Don Davis began playing trumpet and piano at the age of nine and started writing music at twelve. As his affinity for music grew, so did his aspirations, and soon he was composing and arranging orchestral charts for local jazz ensembles that he also performed with. After graduation from high school, Davis furthered his study of music at UCLA, majoring in music theory and composition, playing trumpet in college jazz ensembles and orchestras. After graduation from UCLA, Davis continued to study composition with Henri Lazarof and orchestration under Albert Harris. Harris introduced the young Davis to film and television composer Joe Harnell, best known for his work on TV shows such as V and THE INCREDIBLE HULK. He was immediately impressed by Davis' attention to orchestral detail, especially as evidenced by a chamber symphony Davis was writing at the time. Harnell became a mentor to Davis and introduced him to the professional world of film and television scoring. His early compositional work caught the attention of composer Lee Holdridge, who had penned the theme music for the television series BEAUTY AND THE BEAST and he helped Davis land the job composing weekly scores for the show. Davis' rich orchestral style meshed perfectly with the tone of the show, and he went on to win an Emmy for his work and achieve great acclaim as one of television's most gifted young composers.
After BEAUTY AND THE BEAST, Davis found his career as a composer soaring and he was commissioned to compose scores for dozens of top television movies and series, including SEAQUEST DSV, HOUSE OF FRANKENSTEIN, Peter Benchley's THE BEAST, TINY TOON ADVENTURES and STAR TREK: THE NEXT GENERATION. In 1997, Davis composed the score for Larry and Andy Wachowski's off-beat thriller BOUND, and the directing brothers immediately formed a close working relationship with Davis. The Wachowskis and Davis again collaborated on the MATRIX Trilogy. Davis' work for the three scores incorporated elements of popular music, electronic synthesizer effects, and even a touch of the avant-garde.
Dragon's Domain Records presents THE DON DAVIS COLLECTION, VOLUME 2, featuring the world premiere releases for VALENTINE and BLACKOUT, with liner notes written by author David Hirsch and G.B. Kemner. The music has been mastered by James Nelson at Digital Outland.
The digital release for THE DON DAVIS COLLECTION, VOLUME 2 includes a bonus track, a suite for VALENTINE that would not fit on the physical release.
THE DON DAVIS COLLECTION, VOLUME 2 is a limited edition release.
2026/3/2の週発売
VALENTINE
01. Opening Titles (3:20)
02. The Scalpel Of Fate /
Cupid Is As Cupid Does (3:00)
03. Sadness For Sally (3:54)
04. Wait For Kate (2:37)
05. Sweets For The Sweet / Lily Eats It (4:51)
06. Late With Kate / Let’s Berate Kate (3:08)
07. Campbell In The Closet (3:34)
08. Ruthie’s Remorse (3:37)
09. A Rose For Paige / Dorothy Distraught (4:04)
10. Vaughn On The Lawn (2:07)
11. Dorothy Deceased (8:07)
12. Wherefore Art Thou? / Closing Credits (4:07)
13. Exhibition Music (1:08)
BLACKOUT
14. Opening Titles (3:46)
15. The House Enigma / Bruises of Misery (4:21)
16. Buck Naked (3:44)
17. Uncle Sleazebag (2:32)
18. The Body Drop / Gland Reaction (4:03)
19. The Uncle from Hell / Blondie in Bondage (5:11)
20. Finale (5:07)
Total Time - 76:30