Dragon’s Domain Records, to be distributed through buysoundtrax.com, presents the soundtrack release of THE BEASTMASTER, the 1982 fantasy classic directed by Don Coscarelli (PHANTASM, BUBBA HO-TEP, JOHN DIES AT THE END), written by Coscarelli and Paul Pepperman, starring Marc Singer (SOMETHING FOR JOEY, V), Tanya Roberts (CHARLIE’S ANGELS, SHEENA), John Amos (GOOD TIMES, ROOTS, COMING TO AMERICA), Joshua Milrad and Rip Torn (KING OF KINGS, EXTREME PREJUDICE, MEN IN BLACK) as Maax, featuring music composed and conducted by Lee Holdridge (JONATHAN LIVINGSTON SEAGULL, SPLASH, BEAUTY AND THE BEAST).
Released in 1982 at the beginning of a renaissance of fantasy films that include HAWK THE SLAYER, DRAGONSLAYER, EXCALIBUR and CONAN THE BARBARIAN, THE BEASTMASTER was loosely based on a 1959 Andre Norton science fiction novel, THE BEAST MASTER, with a visual nod borrowed more from classic 1960s peplum and the heroic fantasies of Ray Harryhausen films. THE BEASTMASTER tells the story of Dar, a valiant warrior who can telepathically communicate with animals. Dar (Singer) is a stolen son of royalty, kidnapped from the queen’s womb by a witch in service to Maax (Torn), an evil sorcerer. Dar is saved from sacrifice by a kind villager, who raises him and teaches the young prince how to fight and utilize his uncanny ability to commune with animals. Facing life alone after his village and its people are destroyed by Jun warriors in league with Maax, Dar rescues a slave girl (Roberts) and pairs up with boy prince Taj and former King’s guard Seth (John Amos), along with his animal companions, to fight against Maax. Released in the US in late August 1982 (three months after CONAN), THE BEASTMASTER managed to overcome a lukewarm box office performance with a strong cult following that generated two sequel movies and a Canadian television series that aired 66 episodes over three seasons in 1999-2002.
THE BEASTMASTER was Coscarelli’s fourth film, and his first studio-backed picture after making three indie movies. The third of those was the iconic horror classic PHANTASM, with first put him on the map as a director to watch. In writing the script for THE BEASTMASTER, Coscarelli and Pepperman would listen to famous epic scores from the 1940s and 1950s by composers like Max Steiner and Dimitri Tiomkin. When they began to edit the film, they started tracking in music from these composers. Coscarelli knew of Holdridge’s film music and had been impressed by Holdridge’s violin concerto and, was very impressed with it. With THE BEASTMASTER, Holdridge composed a large-form symphonic score, recorded in Rome, that complemented the film’s sensitive characterization of Dar as well as providing an anthemic main theme for the character’s power and heroism. The main theme is a broad, adventurous motif for full orchestra which suitably propels the film along. In addition, Holdridge provided a pleasant flute love theme over plucked harp, wind chimes and finger-cymbals; a low tympani motif for the evil, pagan priest; and a synthesizer motif used to reflect the sorcery and power of the Beastmaster. THE BEASTMASTER remains one of the great fantasy film scores of the 1980s and continues to age well.
Lee Holdridge was born in Port-au-Prince, Haiti in 1944. He spent his early years in Costa Rica, beginning music studies on the violin at the age of ten with Hugo Mariani, then the conductor of the National Symphony Orchestra of Costa Rica. Later, Holdridge moved to New York to continue his music studies and begin his professional career as a composer. Holdridge’s successes in New York came to the attention of Neil Diamond who brought Holdridge to Los Angeles to write arrangements for his forthcoming albums. A string of Gold and Platinum hits followed, which led to Diamond and Holdridge collaborating on the film score for JONATHAN LIVINGSTON SEAGULL. Since that time, Holdridge has scored numerous film such as SPLASH, BIG BUSINESS, MR. MOM, MICKI & MAUDE, 16 DAYS OF GLORY, SYLVESTER, A TIGER’S TALE, EL PUEBLO DEL SOL, OLD GRINGO, PASTIME and BROTHERS AT WAR. His television work include MOONLIGHTING, BEAUTY AND THE BEAST, the complete eight hour remake of EAST OF EDEN, THE TENTH MAN, DREAMER OF OZ, Hallmark Hall Of Fame’s ONE AGAINST THE WIND and THE STORY LADY. Lee also began a very successful collaboration with Moriah Films, the film division of the Simon Wiesenthal Center, with the Academy Award winning documentary feature film THE LONG WAY HOME. In addition to his film career, Mr. Holdridge has had an extensive repertoire of concert works performed and recorded. He has also worked with many major recording artists having written, arranged and conducted for Placido Domingo, Barbra Streisand, Brian May of Queen, Stevie Wonder, Neil Diamond, John Denver, Neil Sedaka, Daniel Rodriguez, Al Jarreau, Dionne Warwick, Diana Ross, Natalie Cole, Jane Oliver and many others.
Previously released on compact disc by Quartet Records in 2013 as a limited edition release that quickly sold out, Dragon’s Domain Records is excited to bring THE BEASTMASTER back into the marketplace at the request of the composer, newly remastered by Digital Outland under the composer’s supervision. The end result is a rendition of the BEASTMASTER score that most closely matches what Lee had imagined back in 1982. The booklet includes exclusive liner notes written by author Randall Larson with the participation of the composer. Dragon’s Domain Records presents THE BEASTMASTER on 2 CDs. Disc 1 opens with the original album program from 1983 followed by the music cues as they appear in the movie in film order, continuing onto Disc 2.
THE BEASTMASTER is a limited edition release of 1000 units. ---レーベルより
2016/2/22発売。
トラックリスト
DISC ONE THE SOUNDTRACK ALBUM 01. The Legend of Dar (Main Theme) (1:32) 02. The Horde (The Destruction of Emur) (2:43) 03. A Sword and an Eagle (The Epic Begins) (4:49) 04. Friends of Dar (Suite 1) (3:35) A) The Princess Kiri B) Kodo, Podo and Ruh 05. The Pyramid (02:47) 06. Night Journey (Suite 2) (3:56) A) The Eagle B) The City 07. The Battle on the Pyramid (6:42) 08. Heroic Friends (4:30) 09. Escape From the Pyramid (2:40) 10. Dar’s Solitude (1:28) 11. The Great Battle (Dar’s Triumph) (3:37) 12. The New Kingdom (3:22) 13. A Hero’s Theme (The Legend of Dar) (2:56)
THE FILM SCORE 14. Seq. 1 - Main Titles (1:48) 15. Seq. 2 - Stealing the Child (3:12) 16. Seq. 3 - The Ritual (1:36) 17. Seq. 4 - A New Father (1:35) 18. Seq. 5 - Juan Raid (4:21) 19. Seq. 6 - Sword and Eagle (4:41) 20. Seq. 7 - Ferret Chase/Quicksand (2:13) 21. Seq. 8 - Captive Panther/ Fighting Juns (2:53) 22. Seq. 9 - The Bathing Scene (1:20) 23. Seq. 10 - Dar Pursues Kiri (5:10) Total Time - Disc One: 73:57
DISC TWO THE FILM SCORE CONT. 1. Seq. 11 - Journey to the City (1:31) 2. Seq. 12 - Sacrifice Thwarted (4:16) 3. Seq. 13 - Death Sentence (2:16) 4. Seq. 14 - Eagle Vision (2:22) 5. Seq. 15 - The Rescue of Kiri (2:21) 6. Seq. 16 - Raft Escape (4:12) 7.Seq. 17 - Into the Pyramid/ Corridor Ambush (1:00) 8. Seq. 18 - Stealing the Keys/The Cell (4:41) 9. Seq. 19 - The Escape Begins/ The Escape Continues (2:49) 10. Seq. 20 - A Little Late (1:27) 11.Seq. 21 - Outside the Pyramid (1:34) 12. Seq. 22 - Through the Gate/ Dar the Outcast (2:44) 13. Seq. 23 - Pyramid Battle, Part I (Alternate) (2:49) 14. Seq. 24 - Pyramid Battle, Part II (Alternate) (2:18) 15.Seq. 25 - Pyramid Battle, Part III (Alternate) (3:57) 16. Seq. 26 - Preparations (1:48) 17. Seq. 27 - The Horde Attacks/The Moat/ Dar vs. Jun Leader (4:48) 18. Seq. 28 - The Tide Turns (1:30) 19. Seq. 29 - A New King (3:24) 20. Seq. 30 - Finale (2:05)
BONUS TRACK 21. The Beastmaster (Concert Suite)* (7:31) London Symphony Orchestra Conducted by Charles Gerhart
マーク・シンガー、タニヤ・ロバーツ主演の古代ヒロイックファンタジー。リー・ホールドリッジの傑作のひとつ。QUARTET RECORDSから限定1200枚で未使用楽曲も含んだフルスコアを収録した２枚組が発売されましたが、即完売となり、今回作曲家の要望により再発売が決定！ボーナストラックにロンドン交響楽団によるコンサート組曲を収録。限定1000枚。
トラックリスト大古の昔。広大な砂漠を領するアルークという国では、国王ゼッドから実権を奪おうと企む悪徳司祭のマークスが、アー教という宗教を盾に傍若無人の振る舞いをしていた。
ある時、妖怪から「これから生まれる2人の間の子供が、お前を殺すだろう」とを聞いたマークスは怒り、妖怪に子供を殺せと命じた。妖怪は王夫婦から子供を奪い、王妃の子宮の子供を連れて来た牛の腹に移しかえる。野原で牛の腹を裂き、子供を殺そうとするが、通りかかった旅人が妖怪にナイフを投げて子供を助けた。旅人はエムール国の長老で、彼は子供をダールと名付け自分の子として育てる。
少年になったダールは、熊を自分の意のままに操つれる能力に気付いた。月日がたち青年となったダールは、丘で畑仕事をしていると、蛮族ジャンが襲いかかってきて、エムールはダールを除いて全滅した。彼は以前、父が自分は本当の親ではないこと、正体を知りたかったらアルークの谷へ行けといっていたことを思い出し、彼の目というべき鷲と愛犬コドを連れて旅へ出る。途中で2匹のいたずら者のフェレットや、熊、黒豹が仲間に加わり、ダールはマークスの邪悪な陰謀に立ち向かう。 監督：ドン・コスカレリ。1982年米・伊。
Dragon’s Domain Records, to be distributed through buysoundtrax.com, presents the soundtrack release of THE BEASTMASTER, the 1982 fantasy classic directed by Don Coscarelli (PHANTASM, BUBBA HO-TEP, JOHN DIES AT THE END), written by Coscarelli and Paul Pepperman, starring Marc Singer (SOMETHING FOR JOEY, V), Tanya Roberts (CHARLIE’S ANGELS, SHEENA), John Amos (GOOD TIMES, ROOTS, COMING TO AMERICA), Joshua Milrad and Rip Torn (KING OF KINGS, EXTREME PREJUDICE, MEN IN BLACK) as Maax, featuring music composed and conducted by Lee Holdridge (JONATHAN LIVINGSTON SEAGULL, SPLASH, BEAUTY AND THE BEAST).
Released in 1982 at the beginning of a renaissance of fantasy films that include HAWK THE SLAYER, DRAGONSLAYER, EXCALIBUR and CONAN THE BARBARIAN, THE BEASTMASTER was loosely based on a 1959 Andre Norton science fiction novel, THE BEAST MASTER, with a visual nod borrowed more from classic 1960s peplum and the heroic fantasies of Ray Harryhausen films. THE BEASTMASTER tells the story of Dar, a valiant warrior who can telepathically communicate with animals. Dar (Singer) is a stolen son of royalty, kidnapped from the queen’s womb by a witch in service to Maax (Torn), an evil sorcerer. Dar is saved from sacrifice by a kind villager, who raises him and teaches the young prince how to fight and utilize his uncanny ability to commune with animals. Facing life alone after his village and its people are destroyed by Jun warriors in league with Maax, Dar rescues a slave girl (Roberts) and pairs up with boy prince Taj and former King’s guard Seth (John Amos), along with his animal companions, to fight against Maax. Released in the US in late August 1982 (three months after CONAN), THE BEASTMASTER managed to overcome a lukewarm box office performance with a strong cult following that generated two sequel movies and a Canadian television series that aired 66 episodes over three seasons in 1999-2002.
THE BEASTMASTER was Coscarelli’s fourth film, and his first studio-backed picture after making three indie movies. The third of those was the iconic horror classic PHANTASM, with first put him on the map as a director to watch. In writing the script for THE BEASTMASTER, Coscarelli and Pepperman would listen to famous epic scores from the 1940s and 1950s by composers like Max Steiner and Dimitri Tiomkin. When they began to edit the film, they started tracking in music from these composers. Coscarelli knew of Holdridge’s film music and had been impressed by Holdridge’s violin concerto and, was very impressed with it. With THE BEASTMASTER, Holdridge composed a large-form symphonic score, recorded in Rome, that complemented the film’s sensitive characterization of Dar as well as providing an anthemic main theme for the character’s power and heroism. The main theme is a broad, adventurous motif for full orchestra which suitably propels the film along. In addition, Holdridge provided a pleasant flute love theme over plucked harp, wind chimes and finger-cymbals; a low tympani motif for the evil, pagan priest; and a synthesizer motif used to reflect the sorcery and power of the Beastmaster. THE BEASTMASTER remains one of the great fantasy film scores of the 1980s and continues to age well.
Lee Holdridge was born in Port-au-Prince, Haiti in 1944. He spent his early years in Costa Rica, beginning music studies on the violin at the age of ten with Hugo Mariani, then the conductor of the National Symphony Orchestra of Costa Rica. Later, Holdridge moved to New York to continue his music studies and begin his professional career as a composer. Holdridge’s successes in New York came to the attention of Neil Diamond who brought Holdridge to Los Angeles to write arrangements for his forthcoming albums. A string of Gold and Platinum hits followed, which led to Diamond and Holdridge collaborating on the film score for JONATHAN LIVINGSTON SEAGULL. Since that time, Holdridge has scored numerous film such as SPLASH, BIG BUSINESS, MR. MOM, MICKI & MAUDE, 16 DAYS OF GLORY, SYLVESTER, A TIGER’S TALE, EL PUEBLO DEL SOL, OLD GRINGO, PASTIME and BROTHERS AT WAR. His television work include MOONLIGHTING, BEAUTY AND THE BEAST, the complete eight hour remake of EAST OF EDEN, THE TENTH MAN, DREAMER OF OZ, Hallmark Hall Of Fame’s ONE AGAINST THE WIND and THE STORY LADY. Lee also began a very successful collaboration with Moriah Films, the film division of the Simon Wiesenthal Center, with the Academy Award winning documentary feature film THE LONG WAY HOME. In addition to his film career, Mr. Holdridge has had an extensive repertoire of concert works performed and recorded. He has also worked with many major recording artists having written, arranged and conducted for Placido Domingo, Barbra Streisand, Brian May of Queen, Stevie Wonder, Neil Diamond, John Denver, Neil Sedaka, Daniel Rodriguez, Al Jarreau, Dionne Warwick, Diana Ross, Natalie Cole, Jane Oliver and many others.
Previously released on compact disc by Quartet Records in 2013 as a limited edition release that quickly sold out, Dragon’s Domain Records is excited to bring THE BEASTMASTER back into the marketplace at the request of the composer, newly remastered by Digital Outland under the composer’s supervision. The end result is a rendition of the BEASTMASTER score that most closely matches what Lee had imagined back in 1982. The booklet includes exclusive liner notes written by author Randall Larson with the participation of the composer. Dragon’s Domain Records presents THE BEASTMASTER on 2 CDs. Disc 1 opens with the original album program from 1983 followed by the music cues as they appear in the movie in film order, continuing onto Disc 2.
THE BEASTMASTER is a limited edition release of 1000 units. ---レーベルより
2016/2/22発売。
DISC ONE
THE SOUNDTRACK ALBUM
01. The Legend of Dar (Main Theme) (1:32)
02. The Horde (The Destruction of Emur) (2:43)
03. A Sword and an Eagle
(The Epic Begins) (4:49)
04. Friends of Dar (Suite 1) (3:35)
A) The Princess Kiri
B) Kodo, Podo and Ruh
05. The Pyramid (02:47)
06. Night Journey (Suite 2) (3:56)
A) The Eagle
B) The City
07. The Battle on the Pyramid (6:42)
08. Heroic Friends (4:30)
09. Escape From the Pyramid (2:40)
10. Dar’s Solitude (1:28)
11. The Great Battle (Dar’s Triumph) (3:37)
12. The New Kingdom (3:22)
13. A Hero’s Theme (The Legend of Dar) (2:56)
THE FILM SCORE
14. Seq. 1 - Main Titles (1:48)
15. Seq. 2 - Stealing the Child (3:12)
16. Seq. 3 - The Ritual (1:36)
17. Seq. 4 - A New Father (1:35)
18. Seq. 5 - Juan Raid (4:21)
19. Seq. 6 - Sword and Eagle (4:41)
20. Seq. 7 - Ferret Chase/Quicksand (2:13)
21. Seq. 8 - Captive Panther/
Fighting Juns (2:53)
22. Seq. 9 - The Bathing Scene (1:20)
23. Seq. 10 - Dar Pursues Kiri (5:10)
Total Time - Disc One: 73:57
DISC TWO
THE FILM SCORE CONT.
1. Seq. 11 - Journey to the City (1:31)
2. Seq. 12 - Sacrifice Thwarted (4:16)
3. Seq. 13 - Death Sentence (2:16)
4. Seq. 14 - Eagle Vision (2:22)
5. Seq. 15 - The Rescue of Kiri (2:21)
6. Seq. 16 - Raft Escape (4:12)
7.Seq. 17 - Into the Pyramid/
Corridor Ambush (1:00)
8. Seq. 18 - Stealing the Keys/The Cell (4:41)
9. Seq. 19 - The Escape Begins/
The Escape Continues (2:49)
10. Seq. 20 - A Little Late (1:27)
11.Seq. 21 - Outside the Pyramid (1:34)
12. Seq. 22 - Through the Gate/
Dar the Outcast (2:44)
13. Seq. 23 - Pyramid Battle, Part I
(Alternate) (2:49)
14. Seq. 24 - Pyramid Battle, Part II
(Alternate) (2:18)
15.Seq. 25 - Pyramid Battle, Part III
(Alternate) (3:57)
16. Seq. 26 - Preparations (1:48)
17. Seq. 27 - The Horde Attacks/The Moat/
Dar vs. Jun Leader (4:48)
18. Seq. 28 - The Tide Turns (1:30)
19. Seq. 29 - A New King (3:24)
20. Seq. 30 - Finale (2:05)
BONUS TRACK
21. The Beastmaster (Concert Suite)* (7:31)
London Symphony Orchestra Conducted by Charles Gerhart
Total Time - Disc Two: 68:33