1970年から1974年にかけてRAIで放送されたフォルコ・クイリチのTVシリーズ「L'alba dell'uomo（人間の夜明け）」のためにピエロ・ピッチオーニが作曲したスコアが完全盤でCDリリース！ 1975年から1976年にかけてイタリア・テレビ批評家賞を受賞した1時間8話のシリーズを通して、人間とその文化の起源が現代世界において"再発見"される。ドキュメンタリー作家、脚本家、探検家であるフォルコ・キリーチは、監督する作品の中で常に音楽を重要視し、ロベルト・ニコロシ（『青い大陸』）、アンジェロ・F. ラヴァニーノ（最後の楽園）、フランチェスコ・デ・マージ（『チコと鮫』）、テオ・ウスエッリ（Le schiave esistono ancora）、エンニオ・モリコーネ（『遥かなる青い海』, Cacciatori di navi）、ピエロ・ピッチオーニ（Il dio sotto la pelle, Fratello mare）などである。フォルコ・クイリチが脚本・監督したテレビ作品も同様でした。 監督は、ジャンカルロ・ガッツァーニ、フランチェスコ・デ・マージ、ピエロ・ピッチオーニ、エンニオ・モリコーネ、ブルーノ・ニコライ、ルイス・バカロフ、ジョルジオ・ジンジ、ジョルジオ・カルニーニを含む作曲家チーム全員を自由に使うことができた。
Beat Records is pleased to present on CD the complete edition of the score by Piero Piccioni for Folco Quilici's TV series L'alba dell'uomo (Dawn of Man), broadcast by RAI between 1970 and 1974. The origins of man and his culture are "rediscovered" in the contemporary world through a series of eight one-hour episodes which won the Italian Television Critics Award in 1975-1976. The documentarian, writer, and explorer Folco Quilici has always given great importance to music in the productions he directed, working with great names in local film music such as Roberto Nicolosi (Sesto continente), Angelo F. Lavagnino (L'ultimo paradiso), Francesco De Masi (Dagli Appennini alle Ande, Ti-Koyo e il suo pescecane), Teo Usuelli (Le schiave esistono ancora), Ennio Morricone (Oceano, Cacciatori di navi), and Piero Piccioni (Il dio sotto la pelle, Fratello mare). The same goes for the television productions written and directed by Folco Quilici: Francesco De Masi (Alla scoperta dell'Africa, Alla scoperta dell'India, and L'uomo europeo), Piero Piccioni (Islam, L'alba dell'uomo, and Genti e paesi), and for L'Italia vista dal cielo, produced between 1968 and 1978, the director had at his disposal a entire team of composers including Giancarlo Gazzani, Francesco De Masi, Piero Piccioni, Ennio Morricone, Bruno Nicolai, Luis Bacalov, Giorgio Zinzi, and Giorgio Carnini. At the time, not a single note was released from this soundtrack in official form, so we had to wait until 2009, when the Japanese label Verita Note released an anthology CD (VQCD -1027) by Piero Piccioni with eighteen musical selections from L' alba dell'uomo combined with themes from Genti e paesi, Russia allo specchio, and L'Italia vista dal cielo. These eighteen tracks then appeared on digital platforms, but for this special CD edition, we used the stereo master tapes of the original recording sessions, which allowed us to discover sixteen unreleased songs that bring the album to a total duration of 71:00. For this series, Piero Piccioni composed a decidedly varied soundtrack. In the opening credits, a slow main theme emerges with ethnic flavor provided by the horns, rhythm section, chordophones, and flute (Tr. 1), reprised with the organ (Tr. 4), with a similar instrumentation as in the opening credits (Tr. 7 ), for organ and celesta (Tr. 26), for piano and organ (Tr. 30), and the finale reprise (Tr. 34). To describe the various environments where man lives, from the dawn of humanity to the modern era, Piero Piccioni creates many fascinating sound dimensions. Music between experimental and psychedelia describes the creation of the cosmos or scenes of hunting in the wild (Tr. 3, Tr. 9, Tr. 12, Tr. 18, Tr. 20, Tr. 22). The composer also wrote memorable shake themes that represent the evolution of man towards modern progress (Tr. 2, Tr. 6, Tr. 11, Tr. 15, Tr. 21, Tr. 24, Tr. 27, Tr. 32). Worthy of note is a mystical pastoral theme (Tr. 5, Tr. 10, Tr. 17), also reprised with pop rhythms (Tr. 19). This CD is released as a sincere homage to the visual art of Folco Quilici and the musical art of Piero Piccioni. Mastering and liner notes by Claudio Fuiano, graphic layout by Daniele De Gemini.
1970年から1974年にかけてRAIで放送されたフォルコ・クイリチのTVシリーズ「L'alba dell'uomo（人間の夜明け）」のためにピエロ・ピッチオーニが作曲したスコアが完全盤でCDリリース！
トラックリスト1975年から1976年にかけてイタリア・テレビ批評家賞を受賞した1時間8話のシリーズを通して、人間とその文化の起源が現代世界において"再発見"される。ドキュメンタリー作家、脚本家、探検家であるフォルコ・キリーチは、監督する作品の中で常に音楽を重要視し、ロベルト・ニコロシ（『青い大陸』）、アンジェロ・F. ラヴァニーノ（最後の楽園）、フランチェスコ・デ・マージ（『チコと鮫』）、テオ・ウスエッリ（Le schiave esistono ancora）、エンニオ・モリコーネ（『遥かなる青い海』, Cacciatori di navi）、ピエロ・ピッチオーニ（Il dio sotto la pelle, Fratello mare）などである。フォルコ・クイリチが脚本・監督したテレビ作品も同様でした。 監督は、ジャンカルロ・ガッツァーニ、フランチェスコ・デ・マージ、ピエロ・ピッチオーニ、エンニオ・モリコーネ、ブルーノ・ニコライ、ルイス・バカロフ、ジョルジオ・ジンジ、ジョルジオ・カルニーニを含む作曲家チーム全員を自由に使うことができた。
当時、このサウンドトラックは公式には一曲もリリースされていなかったため、2009年に日本のレーベル、ヴェリタノートからピエロ・ピッチオーニによるアンソロジーCD（VQCD -1027）がリリースされるまで待たなければならなかった。これらの18曲はデジタル・プラットフォームで発売されたが、今回の特別CDエディションでは、オリジナル・レコーディング・セッションのステレオ・マスターテープを使用。
このシリーズのために、ピエロ・ピッチオーニは実に多彩なサウンドトラックを作曲した。オープニング・クレジットでは、ホーン、リズム・セクション、コード・フォン、フルートによるエスニックな味わいのゆったりとしたメイン・テーマが登場し（Tr.1）、オルガンによる再演（Tr.4）、オープニング・クレジットと同様の楽器編成による（Tr.7）、オルガンとチェレスタのための（Tr.26）、ピアノとオルガンのための（Tr.30）、そしてフィナーレの再演（Tr.34）。人類の黎明期から現代に至るまで、人間が生きる様々な環境を描写するために、ピエロ・ピッチオーニは多くの魅力的な音の次元を創り出した。実験とサイケデリアの間の音楽は、宇宙の創造や野生の狩猟の場面を描写している（Tr.3、Tr.9、Tr.12、Tr.18、Tr.20、Tr.22）。作曲家はまた、近代的進歩に向かう人間の進化を表す印象的な手ぶれのテーマも書いている（Tr.2、Tr.6、Tr.11、Tr.15、Tr.21、Tr.24、Tr.27、Tr.32）。特筆すべきは、神秘的な牧歌的テーマ（Tr.5、Tr.10、Tr.17）で、ポップなリズムで再現されている（Tr.19）。このCDは、フォルコ・キリチの視覚芸術とピエロ・ピッチオーニの音楽芸術への心からのオマージュとしてリリース。
Beat Records is pleased to present on CD the complete edition of the score by Piero Piccioni for Folco Quilici's TV series L'alba dell'uomo (Dawn of Man), broadcast by RAI between 1970 and 1974. The origins of man and his culture are "rediscovered" in the contemporary world through a series of eight one-hour episodes which won the Italian Television Critics Award in 1975-1976. The documentarian, writer, and explorer Folco Quilici has always given great importance to music in the productions he directed, working with great names in local film music such as Roberto Nicolosi (Sesto continente), Angelo F. Lavagnino (L'ultimo paradiso), Francesco De Masi (Dagli Appennini alle Ande, Ti-Koyo e il suo pescecane), Teo Usuelli (Le schiave esistono ancora), Ennio Morricone (Oceano, Cacciatori di navi), and Piero Piccioni (Il dio sotto la pelle, Fratello mare). The same goes for the television productions written and directed by Folco Quilici: Francesco De Masi (Alla scoperta dell'Africa, Alla scoperta dell'India, and L'uomo europeo), Piero Piccioni (Islam, L'alba dell'uomo, and Genti e paesi), and for L'Italia vista dal cielo, produced between 1968 and 1978, the director had at his disposal a entire team of composers including Giancarlo Gazzani, Francesco De Masi, Piero Piccioni, Ennio Morricone, Bruno Nicolai, Luis Bacalov, Giorgio Zinzi, and Giorgio Carnini.
At the time, not a single note was released from this soundtrack in official form, so we had to wait until 2009, when the Japanese label Verita Note released an anthology CD (VQCD -1027) by Piero Piccioni with eighteen musical selections from L' alba dell'uomo combined with themes from Genti e paesi, Russia allo specchio, and L'Italia vista dal cielo. These eighteen tracks then appeared on digital platforms, but for this special CD edition, we used the stereo master tapes of the original recording sessions, which allowed us to discover sixteen unreleased songs that bring the album to a total duration of 71:00.
For this series, Piero Piccioni composed a decidedly varied soundtrack. In the opening credits, a slow main theme emerges with ethnic flavor provided by the horns, rhythm section, chordophones, and flute (Tr. 1), reprised with the organ (Tr. 4), with a similar instrumentation as in the opening credits (Tr. 7 ), for organ and celesta (Tr. 26), for piano and organ (Tr. 30), and the finale reprise (Tr. 34). To describe the various environments where man lives, from the dawn of humanity to the modern era, Piero Piccioni creates many fascinating sound dimensions. Music between experimental and psychedelia describes the creation of the cosmos or scenes of hunting in the wild (Tr. 3, Tr. 9, Tr. 12, Tr. 18, Tr. 20, Tr. 22). The composer also wrote memorable shake themes that represent the evolution of man towards modern progress (Tr. 2, Tr. 6, Tr. 11, Tr. 15, Tr. 21, Tr. 24, Tr. 27, Tr. 32). Worthy of note is a mystical pastoral theme (Tr. 5, Tr. 10, Tr. 17), also reprised with pop rhythms (Tr. 19). This CD is released as a sincere homage to the visual art of Folco Quilici and the musical art of Piero Piccioni.
Mastering and liner notes by Claudio Fuiano, graphic layout by Daniele De Gemini.
L'ALBA DELL'UOMO
Original Television Soundtrack
1 L'ALBA DELL'UOMO (tema titoli di testa) 2:04
2 L'ALBA DELL'UOMO (lounge tribale) 2:29
3 L'ALBA DELL'UOMO (effetto cosmico) 2:35
4 L'ALBA DELL'UOMO (tema titoli versione organo solo) 1:44
5 L'ALBA DELL'UOMO (pastorale n. 1) 2:38
6 L'ALBA DELL'UOMO (lounge tribale n. 2) 1:37
7 L'ALBA DELL'UOMO (tema titoli -ripresa) 1:56
8 L'ALBA DELL'UOMO (caccia) 2:53
9 L'ALBA DELL'UOMO (cellule) 1:54
10 L'ALBA DELL'UOMO (pastorale n. 1 - take 2) 2:41
11 L'ALBA DELL'UOMO (lounge tribale n. 3) 2:22
12 L'ALBA DELL'UOMO (fondale) 2:02
13 L'ALBA DELL'UOMO (tema titoli versione flauto e organo) 1:40
14 L'ALBA DELL'UOMO (pastorale n. 2) 3:10
15 L'ALBA DELL'UOMO (lounge tribale n. 4) 3:09
16 L'ALBA DELL'UOMO (tema titoli versione chitarra e organo) 2:17
17 L'ALBA DELL'UOMO (pastorale variante) 2:01
18 L'ALBA DELL'UOMO (attesa caccia) 2:19
19 L'ALBA DELL'UOMO (variante n.1 ritmica) 1:52
20 L'ALBA DELL'UOMO (effetto cosmico secondo) 2:15
21 L'ALBA DELL'UOMO (lounge tribale n.5) 1:52
22 L'ALBA DELL'UOMO (caccia n.2) 1:24
23 L'ALBA DELL'UOMO (variante n.1 organo e chitarra) 1:35
24 L'ALBA DELL'UOMO (lounge tribale n.6) 1:36
25 L'ALBA DELL'UOMO (pastorale n.2 - take 2) 3:07
26 L'ALBA DELL'UOMO (tema titoli versione organo e celesta) 1:43
27 L'ALBA DELL'UOMO (lounge tribale n.7) 1:31
28 L'ALBA DELL'UOMO (prima variante n.1) 1:01
29 L'ALBA DELL'UOMO (fondale n.2) 1:30
30 L'ALBA DELL'UOMO (tema titoli versioone piano e organo) 1:42
31 L'ALBA DELL'UOMO (variante n.1 seconda versione) 1:09
32 L'ALBA DELL'UOMO (lounge tribale n.8) 2:17
33 L'ALBA DELL'UOMO (caccia n.2 - take 2) 1:29
34 L'ALBA DELL'UOMO (tema titoli - finale) 2:02