ピエロ・ピッチオーニは、ギャング映画とコメディの間を行き来するこのドラマチックな映画のために、ファンク、ジャズ、ブルースを取り入れたアメリカンサウンドで、"Surprise pastorale" に始まり、オーケストラと合唱のためのロマンティックな音楽 "America dreaming" と交互に演奏する大オーケストラ用のOSTを作曲しました。マエストロ・ピッチョーニは、スイングを使った "New York! New York! (カントリ・モデルニの見事な介入)と "Swingin 'at Savoy"、"Rockin' chair stomp "のクラシック・ロックンロール、"Sweet marimbas "と "Mariposa rosada "の暖かい南米のリズムが使われています。最もドラマチックなシーンでは、オルガンがオーケストラの中に浮かび上がる繰り返し演奏される "Gunz concert, pt.1" など、刺激的で警察的なサウンドが強調される（このような曲は、ロジャー・ムーアが初めてジェームズ・ボンド役を演じた『Live and Let Die』でも違和感はない）、同年の他の作品と同様だ。ピアノと大オーケストラのための"Love in Brooklyn, pt.1"では、ピチオーニのロマンチックな面が戻ってくる。マエストロと頻繁にコラボレートしているショーン・ロビンソンの官能的な歌声が''Feeling low blues''を奏でる。
''Anastasia mio fratello ovvero il presunto capo dell'Anonima Assassini'' (aka ''My Brother Anastasia'') is a crime drama directed by Steno in 1973 and starring Alberto Sordi and Richard Conte. Don Salvatore Anastasia, brother of Alberto (called "Big Al"), leaves Calabria to go to New York. Welcomed with great respect, he was hired as an assistant pastor by don Michele in the parish of St. Lucia in Little Italy. Alberto is entrusted to Sonny Boy, his bodyguard, but the naive priest believes that the success achieved and the esteem with which he feels surrounded are due to his personal gifts. The discovery and the frank denunciation of the mess hidden behind a lottery force don Gennaro, boss of "Mamma Oil," to try to eliminate the unwary Don Salvatore, who is saved thanks to Big Al. In 1973, RCA issued a 33 rpm album (RCA OLS 20) containing 13 tracks in stereo selected by the composer himself. In 2010, thirty-seven years after the release of the film in theaters, the specialty label GDM released this prestigious OST (CD CLUB 7091) for the first time on CD, with 14 unreleased tracks in addition to the vintage album program. For this new edition, we were able to use the stereo masters of the original recording session, which allowed us to create a special double-disc set: on CD 1, the original album program, and on CD 2, the bonus tracks of the previous GDM CD plus ten unreleased tracks that appear here for the first time ever, for a total length of 99:20. For this dramatic film that straddles the line between gangster movie and comedy, Piero Piccioni composed an OST for a large orchestra with American sounds incorporating funk, jazz and blues, beginning with "Surprise pastorale" and alternating with romantic music for orchestra and choir in "America dreaming." Maestro Piccioni uses swing in "New York! New York!" (with splendid intervention by Cantori Moderni) and in "Swingin 'at Savoy," classic rock 'n roll in "Rockin' chair stomp" and warm South American rhythms in "Sweet marimbas" and "Mariposa rosada." The most dramatic scenes are underlined with exciting, police-like sounds such as the recurring "Gunz concert, pt.1," where the organ emerges in the orchestra (such a piece would not have been out of place in "Live and Let Die", the first time by Roger Moore filled the role of James Bond), among other things from the same year. The romantic side of Piccioni returns in "Love in Brooklyn, pt.1," for piano and large orchestra. The sensual voice of Shawn Robinson, frequent collaborator of the Maestro, performs ''Feeling low blues.'' The listener will remain in the company of the elegant music of Piero Piccioni for about an hour and forty minutes, each time with evergreen admiration, as we continue to be amazed by the greatness of this beloved artist. Mastering and liner notes by Claudio Fuiano, graphic layout by Daniele De Gemini --- from the label
トラックリスト
CD1 The original album (stereo) 1. SURPRISE PASTORALE 3:11 2. AMERICA DREAMING 1:55 3. NEW YORK! NEW YORK! 1:51 4. ROCKIN' CHAIR STOMP 4:24 5. LITTLE ITALY 2:56 6. SWEET MARIMBAS 2:02 7. GUNZ CONCERTO 2:12 8. LOVE IN BROOKLYN 3:14 9. FEELING LOW BLUES 3:18 10. SWINGIN' AT SAVOY 1:51 11. MARIPOSA ROSADA 2:25 12. NEW YORK BY NIGHT 3:54 13. THE AMERICAN DREAM 4:21
CD2 bonus tracks (stereo)
1. GUNZ CONCERTO (#2) 1:23 2. LITTLE ITALY (#2) 2:07 3. LOVE IN BROOKLYN (# 2) 3:13 4. SWINGIN' AT SAVOY (# 2) 2:27 5. ANASTASIA MIO FRATELLO (coro chiesa) 1:11 6. LOVE IN BROOKLYN (# 3) 2:11 7. LITTLE ITALY (# 3) 2:08 8. ANASTASIA MIO FRATELLO (piano bossa) 2:50 9. SWINGIN' AT SAVOY (# 3) 1:35 10. ANASTASIA MIO FRATELLO (marcia) 2:57 11. GUNZ CONCERTO (# 3) 1:37 12. LITTLE ITALY (# 4) 2:08 13. GUNZ CONCERTO (# 4) 2:05 14. LOVE IN BROOKLYN (# 4) 3:37 15. NEW YORK! NEW YORK! (#2) 2:08 16. LOVE IN BROOKLYN (# 5) 1:53 17. ROCKIN' CHAIR STOMP (#2) 4:22 18. THE AMERICAN DREAM (#2) 4:22 19. GUNZ CONCERTO (# 5) 1:27 20. ANASTASIA MIO FRATELLO (marcia #2) 4:56 21. NEW YORK BY NIGHT (#2) 1:25 22. LOVE IN BROOKLYN (# 6) 3:41 23. NEW YORK BY NIGHT (#3)1:15 24. ANASTASIA MIO FRATELLO (coro chiesa #2) 3:26
アルベルト・ソルディ、リチャード・コンテ主演、1973年の犯罪映画のオリジナル・サウンドトラック。今回、オリジナル・レコーディング・セッションのステレオ・マスターから、CD1にはオリジナル・アルバム・プログラム、CD2には前回のGDMレーベルCDのボーナストラックと今回初収録となる未発表曲10曲、合計99分20秒の2枚組のスペシャル・エディションでリリース！
トラックリストピエロ・ピッチオーニは、ギャング映画とコメディの間を行き来するこのドラマチックな映画のために、ファンク、ジャズ、ブルースを取り入れたアメリカンサウンドで、"Surprise pastorale" に始まり、オーケストラと合唱のためのロマンティックな音楽 "America dreaming" と交互に演奏する大オーケストラ用のOSTを作曲しました。マエストロ・ピッチョーニは、スイングを使った "New York! New York! (カントリ・モデルニの見事な介入)と "Swingin 'at Savoy"、"Rockin' chair stomp "のクラシック・ロックンロール、"Sweet marimbas "と "Mariposa rosada "の暖かい南米のリズムが使われています。最もドラマチックなシーンでは、オルガンがオーケストラの中に浮かび上がる繰り返し演奏される "Gunz concert, pt.1" など、刺激的で警察的なサウンドが強調される（このような曲は、ロジャー・ムーアが初めてジェームズ・ボンド役を演じた『Live and Let Die』でも違和感はない）、同年の他の作品と同様だ。ピアノと大オーケストラのための"Love in Brooklyn, pt.1"では、ピチオーニのロマンチックな面が戻ってくる。マエストロと頻繁にコラボレートしているショーン・ロビンソンの官能的な歌声が''Feeling low blues''を奏でる。
''Anastasia mio fratello ovvero il presunto capo dell'Anonima Assassini'' (aka ''My Brother Anastasia'') is a crime drama directed by Steno in 1973 and starring Alberto Sordi and Richard Conte. Don Salvatore Anastasia, brother of Alberto (called "Big Al"), leaves Calabria to go to New York. Welcomed with great respect, he was hired as an assistant pastor by don Michele in the parish of St. Lucia in Little Italy. Alberto is entrusted to Sonny Boy, his bodyguard, but the naive priest believes that the success achieved and the esteem with which he feels surrounded are due to his personal gifts. The discovery and the frank denunciation of the mess hidden behind a lottery force don Gennaro, boss of "Mamma Oil," to try to eliminate the unwary Don Salvatore, who is saved thanks to Big Al. In 1973, RCA issued a 33 rpm album (RCA OLS 20) containing 13 tracks in stereo selected by the composer himself. In 2010, thirty-seven years after the release of the film in theaters, the specialty label GDM released this prestigious OST (CD CLUB 7091) for the first time on CD, with 14 unreleased tracks in addition to the vintage album program. For this new edition, we were able to use the stereo masters of the original recording session, which allowed us to create a special double-disc set: on CD 1, the original album program, and on CD 2, the bonus tracks of the previous GDM CD plus ten unreleased tracks that appear here for the first time ever, for a total length of 99:20. For this dramatic film that straddles the line between gangster movie and comedy, Piero Piccioni composed an OST for a large orchestra with American sounds incorporating funk, jazz and blues, beginning with "Surprise pastorale" and alternating with romantic music for orchestra and choir in "America dreaming." Maestro Piccioni uses swing in "New York! New York!" (with splendid intervention by Cantori Moderni) and in "Swingin 'at Savoy," classic rock 'n roll in "Rockin' chair stomp" and warm South American rhythms in "Sweet marimbas" and "Mariposa rosada." The most dramatic scenes are underlined with exciting, police-like sounds such as the recurring "Gunz concert, pt.1," where the organ emerges in the orchestra (such a piece would not have been out of place in "Live and Let Die", the first time by Roger Moore filled the role of James Bond), among other things from the same year. The romantic side of Piccioni returns in "Love in Brooklyn, pt.1," for piano and large orchestra. The sensual voice of Shawn Robinson, frequent collaborator of the Maestro, performs ''Feeling low blues.'' The listener will remain in the company of the elegant music of Piero Piccioni for about an hour and forty minutes, each time with evergreen admiration, as we continue to be amazed by the greatness of this beloved artist.
Mastering and liner notes by Claudio Fuiano, graphic layout by Daniele De Gemini --- from the label
CD1
The original album (stereo)
1. SURPRISE PASTORALE 3:11
2. AMERICA DREAMING 1:55
3. NEW YORK! NEW YORK! 1:51
4. ROCKIN' CHAIR STOMP 4:24
5. LITTLE ITALY 2:56
6. SWEET MARIMBAS 2:02
7. GUNZ CONCERTO 2:12
8. LOVE IN BROOKLYN 3:14
9. FEELING LOW BLUES 3:18
10. SWINGIN' AT SAVOY 1:51
11. MARIPOSA ROSADA 2:25
12. NEW YORK BY NIGHT 3:54
13. THE AMERICAN DREAM 4:21
CD2
bonus tracks (stereo)
1. GUNZ CONCERTO (#2) 1:23
2. LITTLE ITALY (#2) 2:07
3. LOVE IN BROOKLYN (# 2) 3:13
4. SWINGIN' AT SAVOY (# 2) 2:27
5. ANASTASIA MIO FRATELLO (coro chiesa) 1:11
6. LOVE IN BROOKLYN (# 3) 2:11
7. LITTLE ITALY (# 3) 2:08
8. ANASTASIA MIO FRATELLO (piano bossa) 2:50
9. SWINGIN' AT SAVOY (# 3) 1:35
10. ANASTASIA MIO FRATELLO (marcia) 2:57
11. GUNZ CONCERTO (# 3) 1:37
12. LITTLE ITALY (# 4) 2:08
13. GUNZ CONCERTO (# 4) 2:05
14. LOVE IN BROOKLYN (# 4) 3:37
15. NEW YORK! NEW YORK! (#2) 2:08
16. LOVE IN BROOKLYN (# 5) 1:53
17. ROCKIN' CHAIR STOMP (#2) 4:22
18. THE AMERICAN DREAM (#2) 4:22
19. GUNZ CONCERTO (# 5) 1:27
20. ANASTASIA MIO FRATELLO (marcia #2) 4:56
21. NEW YORK BY NIGHT (#2) 1:25
22. LOVE IN BROOKLYN (# 6) 3:41
23. NEW YORK BY NIGHT (#3)1:15
24. ANASTASIA MIO FRATELLO (coro chiesa #2) 3:26