ポスト・クラシカルの元祖ヨハン・ヨハンソンが起用されたオリジナルサウンドトラック 《映画『メッセージ』～オリジナルサウンドトラック》 アナログ盤。 SF作家テッド・チャンの『あなたの人生の物語』を映画化した作品『Arrival』。突如地球に現れたエイリアンの言葉を理解するために、エイミー・アダムス演じる女性言語学者が彼らとの接触を試みるというもの。『ボーダーライン』などを手がけたドゥニ・ヴィルヌーヴ監督による新作SFスリラー映画です。この映画の音楽を担当したのは、1969年生まれのアイスランド人作曲家／プロデューサー、ヨハン・ヨハンソン。90年代の終わりより様々な映画や演劇などの音楽を手がけるアイスランドでもっとも影響力のある作曲家です。クラシック音楽やミニマリズムとエレクトロニカとを組み合わせたサウンドは、マックス・リヒターらとともにポスト・クラシカル のオリジネイターとして目されています。ここでも、声楽アンサンブルやエレクトロニクス、アナログテープによるループなどを駆使した幻想的なサウンドに仕上がっています。エンディングにはマックス・リヒター作曲の「On the Nature of Daylight」が使用されています。
Deutsche Grammophon is excited to announce the November release of Arrival (Original Motion Picture Soundtrack) with music composed and produced by Johann Johannsson.
The Paramount Pictures film Arrival, which premiered at the Venice Film Festival, is the composers third cinematic collaboration with French-Canadian director Denis Villeneuve, following on from last years crime thriller Sicario, which garnered Johannsson an Oscar nomination for best original score. As recently announced, their next joint project will be the much anticipated sequel to the legendary science fiction film Blade Runner.
Arrival stars Amy Adams, Jeremy Renner and Forest Whitaker, Adams playing the lead role of a linguist who attempts to communicate with the alien intelligence controlling a fleet of spacecraft that has suddenly and ominously appeared at sites all around the globe. As mankind teeters on the brink of global war, she and her team embark on a race against time to find out why these craft have come to earth. More than a conventional sci-fi thriller, this is a thoughtful, intellectual drama with a genre twist.
Arrival is a very unique science fiction film and I decided early on that the human voice would feature prominently in the score, says Johannsson. It seemed a natural choice, given that the story is very much about language and communication.
Johannsson worked with several singers and vocal ensembles and combined both classical and avant-garde elements in his compositions, augmenting his already unique approach of combining orchestral writing with digital sound processing. Among those appearing are the prestigious Theatre of Voices, conducted by Paul Hillier, and artists such as Robert Aiki Aubrey Lowe and Hildur Guonadottir, known for their unique musicianship. Johannsson also integrated some found sounds from the legendary avant-garde vocalist Joan La Barbara into his score. The soundtrack was recorded in Prague, Copenhagen and his native Reykjavik.発売日：2016.11.11
トラックリスト
01. TEATRINO DI VERNACCHIO (Vernacchio’s small Theater) 02. IL GIARDINO DELLE DELIZIE (Garden of Delights) 03. NOTTURNI NELLA SUBURRA (Nocturnes in the Suburra) 04. LA SCHIAVETTA INNAMORATA (The Little Slave Girl in Love) 05. LA CENA DA TRIMALCIONE (Trimalcione’s Dinner pt 1) 06. MADEJA’ - PERIMADEJA’ (Madeja - Periamdeja) 07. MIO AMATO GITONE (My Beloved Giton) 08. LA CENA DA TRIMALCIONE (Trimalcione’s Dinner pt 2) 09. TEMA DI GITONE (Giton’s Theme) 10. IL TRIONFO DEL NUOVO CESARE (New Caesar’s Triumph) 11. ENCOLPIO E ASCILTO PRIGIONIERI (Encolpio and Ascilto Prisoners) 12. SULLA NAVE DI LICA (on Lica’s Boat) 13. LE NOZZE SUL MARE (Wedding at Sea) 14. IL FUOCO DELLE VESTALI (Vestal’s Fire) 15. L’ORACOLO SALMODIANTE (The Psalmodist Oracle) 16. MI ASCOLTI GITONE? (Do you listen to me Giton?) 17. STORIA DELLA MATRONA DI EFESO (Story of the Ephesus Matron) 18. ENCOLPIO HA PERDUTO LA SUA SPADA (Encolpio lost his sword) 19. IL MINOTAURO (The Minotaur) 20. LA NUOVA ISOLA (The New Island)
ポスト・クラシカルの元祖ヨハン・ヨハンソンが起用されたオリジナルサウンドトラック
トラックリスト《映画『メッセージ』～オリジナルサウンドトラック》 アナログ盤。
SF作家テッド・チャンの『あなたの人生の物語』を映画化した作品『Arrival』。突如地球に現れたエイリアンの言葉を理解するために、エイミー・アダムス演じる女性言語学者が彼らとの接触を試みるというもの。『ボーダーライン』などを手がけたドゥニ・ヴィルヌーヴ監督による新作SFスリラー映画です。この映画の音楽を担当したのは、1969年生まれのアイスランド人作曲家／プロデューサー、ヨハン・ヨハンソン。90年代の終わりより様々な映画や演劇などの音楽を手がけるアイスランドでもっとも影響力のある作曲家です。クラシック音楽やミニマリズムとエレクトロニカとを組み合わせたサウンドは、マックス・リヒターらとともにポスト・クラシカル のオリジネイターとして目されています。ここでも、声楽アンサンブルやエレクトロニクス、アナログテープによるループなどを駆使した幻想的なサウンドに仕上がっています。エンディングにはマックス・リヒター作曲の「On the Nature of Daylight」が使用されています。
Deutsche Grammophon is excited to announce the November release of Arrival (Original Motion Picture Soundtrack) with music composed and produced by Johann Johannsson.
The Paramount Pictures film Arrival, which premiered at the Venice Film Festival, is the composers third cinematic collaboration with French-Canadian director Denis Villeneuve, following on from last years crime thriller Sicario, which garnered Johannsson an Oscar nomination for best original score. As recently announced, their next joint project will be the much anticipated sequel to the legendary science fiction film Blade Runner.
Arrival stars Amy Adams, Jeremy Renner and Forest Whitaker, Adams playing the lead role of a linguist who attempts to communicate with the alien intelligence controlling a fleet of spacecraft that has suddenly and ominously appeared at sites all around the globe. As mankind teeters on the brink of global war, she and her team embark on a race against time to find out why these craft have come to earth. More than a conventional sci-fi thriller, this is a thoughtful, intellectual drama with a genre twist.
Arrival is a very unique science fiction film and I decided early on that the human voice would feature prominently in the score, says Johannsson. It seemed a natural choice, given that the story is very much about language and communication.
Johannsson worked with several singers and vocal ensembles and combined both classical and avant-garde elements in his compositions, augmenting his already unique approach of combining orchestral writing with digital sound processing. Among those appearing are the prestigious Theatre of Voices, conducted by Paul Hillier, and artists such as Robert Aiki Aubrey Lowe and Hildur Guonadottir, known for their unique musicianship. Johannsson also integrated some found sounds from the legendary avant-garde vocalist Joan La Barbara into his score. The soundtrack was recorded in Prague, Copenhagen and his native Reykjavik.発売日：2016.11.11
01. TEATRINO DI VERNACCHIO (Vernacchio’s small Theater)
02. IL GIARDINO DELLE DELIZIE (Garden of Delights)
03. NOTTURNI NELLA SUBURRA (Nocturnes in the Suburra)
04. LA SCHIAVETTA INNAMORATA (The Little Slave Girl in Love)
05. LA CENA DA TRIMALCIONE (Trimalcione’s Dinner pt 1)
06. MADEJA’ - PERIMADEJA’ (Madeja - Periamdeja)
07. MIO AMATO GITONE (My Beloved Giton)
08. LA CENA DA TRIMALCIONE (Trimalcione’s Dinner pt 2)
09. TEMA DI GITONE (Giton’s Theme)
10. IL TRIONFO DEL NUOVO CESARE (New Caesar’s Triumph)
11. ENCOLPIO E ASCILTO PRIGIONIERI (Encolpio and Ascilto
Prisoners)
12. SULLA NAVE DI LICA (on Lica’s Boat)
13. LE NOZZE SUL MARE (Wedding at Sea)
14. IL FUOCO DELLE VESTALI (Vestal’s Fire)
15. L’ORACOLO SALMODIANTE (The Psalmodist Oracle)
16. MI ASCOLTI GITONE? (Do you listen to me Giton?)
17. STORIA DELLA MATRONA DI EFESO (Story of the Ephesus Matron)
18. ENCOLPIO HA PERDUTO LA SUA SPADA (Encolpio lost his sword)
19. IL MINOTAURO (The Minotaur)
20. LA NUOVA ISOLA (The New Island)