ポスト・クラシカルの元祖ヨハン・ヨハンソンが起用されたオリジナルサウンドトラック 《映画『メッセージ』～オリジナルサウンドトラック》 SF作家テッド・チャンの『あなたの人生の物語』を映画化した作品『Arrival』。突如地球に現れたエイリアンの言葉を理解するために、エイミー・アダムス演じる女性言語学者が彼らとの接触を試みるというもの。『ボーダーライン』などを手がけたドゥニ・ヴィルヌーヴ監督による新作SFスリラー映画です。この映画の音楽を担当したのは、1969年生まれのアイスランド人作曲家／プロデューサー、ヨハン・ヨハンソン。90年代の終わりより様々な映画や演劇などの音楽を手がけるアイスランドでもっとも影響力のある作曲家です。クラシック音楽やミニマリズムとエレクトロニカとを組み合わせたサウンドは、マックス・リヒターらとともにポスト・クラシカル のオリジネイターとして目されています。ここでも、声楽アンサンブルやエレクトロニクス、アナログテープによるループなどを駆使した幻想的なサウンドに仕上がっています。エンディングにはマックス・リヒター作曲の「On the Nature of Daylight」が使用されています。
Deutsche Grammophon is excited to announce the November release of Arrival (Original Motion Picture Soundtrack) with music composed and produced by Johann Johannsson.
The Paramount Pictures film Arrival, which premiered at the Venice Film Festival, is the composers third cinematic collaboration with French-Canadian director Denis Villeneuve, following on from last years crime thriller Sicario, which garnered Johannsson an Oscar nomination for best original score. As recently announced, their next joint project will be the much anticipated sequel to the legendary science fiction film Blade Runner.
Arrival stars Amy Adams, Jeremy Renner and Forest Whitaker, Adams playing the lead role of a linguist who attempts to communicate with the alien intelligence controlling a fleet of spacecraft that has suddenly and ominously appeared at sites all around the globe. As mankind teeters on the brink of global war, she and her team embark on a race against time to find out why these craft have come to earth. More than a conventional sci-fi thriller, this is a thoughtful, intellectual drama with a genre twist.
Arrival is a very unique science fiction film and I decided early on that the human voice would feature prominently in the score, says Johannsson. It seemed a natural choice, given that the story is very much about language and communication.
Johannsson worked with several singers and vocal ensembles and combined both classical and avant-garde elements in his compositions, augmenting his already unique approach of combining orchestral writing with digital sound processing. Among those appearing are the prestigious Theatre of Voices, conducted by Paul Hillier, and artists such as Robert Aiki Aubrey Lowe and Hildur Guonadottir, known for their unique musicianship. Johannsson also integrated some found sounds from the legendary avant-garde vocalist Joan La Barbara into his score. The soundtrack was recorded in Prague, Copenhagen and his native Reykjavik.発売日：2016.11.11
トラックリスト
1) Arrival 2) Heptapod B 3) Sapir-Whorf 4) Hydraulic Lift 5) First Encounter 6) Transmutation At A Distance 7) Around The Clock News 8) Xenolinguistics 9) Ultimatum 10) Principle Of Least Time 11) Hazmat 12) Hammers And Nails 13) Xenoanthropology 14) Non-Zero-Sum Game 15) Properties Of Explosive Materials 16) Escalation 17) Decyphering 18) One Of Twelve 19) Rise 20) Kangaru 21) マックス・リヒター：On the Nature of Daylight
ポスト・クラシカルの元祖ヨハン・ヨハンソンが起用されたオリジナルサウンドトラック
トラックリスト《映画『メッセージ』～オリジナルサウンドトラック》
SF作家テッド・チャンの『あなたの人生の物語』を映画化した作品『Arrival』。突如地球に現れたエイリアンの言葉を理解するために、エイミー・アダムス演じる女性言語学者が彼らとの接触を試みるというもの。『ボーダーライン』などを手がけたドゥニ・ヴィルヌーヴ監督による新作SFスリラー映画です。この映画の音楽を担当したのは、1969年生まれのアイスランド人作曲家／プロデューサー、ヨハン・ヨハンソン。90年代の終わりより様々な映画や演劇などの音楽を手がけるアイスランドでもっとも影響力のある作曲家です。クラシック音楽やミニマリズムとエレクトロニカとを組み合わせたサウンドは、マックス・リヒターらとともにポスト・クラシカル のオリジネイターとして目されています。ここでも、声楽アンサンブルやエレクトロニクス、アナログテープによるループなどを駆使した幻想的なサウンドに仕上がっています。エンディングにはマックス・リヒター作曲の「On the Nature of Daylight」が使用されています。
Deutsche Grammophon is excited to announce the November release of Arrival (Original Motion Picture Soundtrack) with music composed and produced by Johann Johannsson.
The Paramount Pictures film Arrival, which premiered at the Venice Film Festival, is the composers third cinematic collaboration with French-Canadian director Denis Villeneuve, following on from last years crime thriller Sicario, which garnered Johannsson an Oscar nomination for best original score. As recently announced, their next joint project will be the much anticipated sequel to the legendary science fiction film Blade Runner.
Arrival stars Amy Adams, Jeremy Renner and Forest Whitaker, Adams playing the lead role of a linguist who attempts to communicate with the alien intelligence controlling a fleet of spacecraft that has suddenly and ominously appeared at sites all around the globe. As mankind teeters on the brink of global war, she and her team embark on a race against time to find out why these craft have come to earth. More than a conventional sci-fi thriller, this is a thoughtful, intellectual drama with a genre twist.
Arrival is a very unique science fiction film and I decided early on that the human voice would feature prominently in the score, says Johannsson. It seemed a natural choice, given that the story is very much about language and communication.
Johannsson worked with several singers and vocal ensembles and combined both classical and avant-garde elements in his compositions, augmenting his already unique approach of combining orchestral writing with digital sound processing. Among those appearing are the prestigious Theatre of Voices, conducted by Paul Hillier, and artists such as Robert Aiki Aubrey Lowe and Hildur Guonadottir, known for their unique musicianship. Johannsson also integrated some found sounds from the legendary avant-garde vocalist Joan La Barbara into his score. The soundtrack was recorded in Prague, Copenhagen and his native Reykjavik.発売日：2016.11.11
1) Arrival
2) Heptapod B
3) Sapir-Whorf
4) Hydraulic Lift
5) First Encounter
6) Transmutation At A Distance
7) Around The Clock News
8) Xenolinguistics
9) Ultimatum
10) Principle Of Least Time
11) Hazmat
12) Hammers And Nails
13) Xenoanthropology
14) Non-Zero-Sum Game
15) Properties Of Explosive Materials
16) Escalation
17) Decyphering
18) One Of Twelve
19) Rise
20) Kangaru
21) マックス・リヒター：On the Nature of Daylight
【演奏】ポール・ヒリアー（指揮）シアター・オヴ・ヴォイセズ
ロバート・アイキ・オーブリー・ロウ(ヴォイス、シンセサイザー）、ヒルドゥル・グズナドッティル（チェロ）、ジョアン・ラ・バーバラ（ヴォーカル）、他