Hands and feet…impossible turns! Hips twisting improbably on the stage. The voices of Gardel, Piazzola, Vitale, the lineage of tango, provoke the body’s writhing, like the sensual companion of a tormented mind, intertwining runaway gazes as they flutter among our fingers; a contradiction that bandoneon, violin and piano play from the power, passion and violence spilling over from this dance; a dance that, like no other, represents love, lust, the union dancers devote to each other; a model for a life which, as the poet said…hurts. This is Blue not so pink’s opening, a 2012 film by Miguel Ferrari which appeared in English as My Straight Son. A tango passing among the protagonists’ lives, which are destined to end up intertwined. Sergio de la Puente’s passion, a Granada-born poet, of noble lineage and quality, gets imprinted over each lived moment. The musician uses them to compose this tango for three; a universal, gender-blind, non-discriminatory dance. Diego, Fabrizio and Armando are the characters the story spins upon, a costumbrist drama delving into the great social (and moral) inequalities homosexuals suffer. Music for diversity and love (passion and desire), a universal principle which finds in the rage that comes with injustice the argumentation to express their belief in something better. This is the way Sergio chooses to compose this delicate plea, uniting Men and Women, Women and Men; faceless beings contorting over the dark outline of a homophobic society unable to understand that Love is somewhat abstract, shapeless, without appearance… Sergio builds his apology (for everyone) on the consequences some acts have on the stark lives of the protagonists, chapters that piano, violin and accordion illuminate with a different tempo, new and touching, representing the lovers’ unconditional feelings. This love pours from the wounds created by tragedy, and those wounds heal through the luminous music Sergio devotes to Diego and Armando’s relationship, father and son beginning a new bond, a new way of loving. As the gaucho said: That’s it, the tango is over…
Sergio de la Puente’s music is as universal as love; faceless, gender-blind…The delicate, sometimes joyful melodies weave love and desire over the lack of understanding of a world which has stopped believing in Universal Love, a feeling that would lead to hope for a better future. My Straight Son’s music opens the door to that belief, the love men and women, women and men, profess each other on the world’s stage, a film set where anonymous glances flutter as we all dance cheek to cheek. -- レーベルより
発売日：2018.4.20
トラックリスト
01. Creditos Iniciales (Tango) 3:45 02. Diego 1:11 03. Visita de Armando 1:03 04. Diego y Armando I 1:17 05. Fabrizzio 1:32 06. Ataque a Fabrizzio 1:35 07. La Soledad de Diego 2:28 08. Diego y Armando II 1:27 09. Enlace 2:19 10. Viaje a Merida 2:55 11. La Locura de Diego 1:45 12. Bajo las Estrellas 1:16 13. Despedidas 3:39 14. Final 3:40 15. Creditos Iniciales (en directo) 4:09 16. El Orden de las Cosas 4:12 17. El Peso del Tiempo 1:24 18. El Orden de las Cosas (version Piano) 3:03 Total Time: 42:40
ゲイの父親と久々に再会した息子が織り成す不器用な交流と親子の絆を描いた人間ドラマ。2013年のベネズエラ／スペイン合作映画のサウンドトラック。
トラックリストカメラマンの男性ディエゴは、同性の恋人ファブリツィオと一緒に暮らしている。ところがある日、別れた妻の元にいた10代の息子アルマンドを引き取ることに。自分が父親に捨てられたと思っていたアルマンドは、ゲイに対する偏見もありディエゴに反抗的な態度ばかり取ってしまう。ディエゴはそんな彼に父親として認められるべく奮闘するが……。ベネズエラ出身の俳優ミゲル・フェラーリが長編初メガホンをとった。SKIPシティ国際Dシネマ映画祭2014で上映され、観客投票第1位を獲得。新宿シネマカリテの特集企画「カリコレ2015／カリテ・ファンタスティック！シネマコレクション2015」（15年5月16日～6月26日）上映作品。出演： ギジェルモ・ガルシア、イグナシオ・モンテス。2013年 ベネズエラ／スペイン。
Hands and feet…impossible turns! Hips twisting improbably on the stage. The voices of Gardel, Piazzola, Vitale, the lineage of tango, provoke the body’s writhing, like the sensual companion of a tormented mind, intertwining runaway gazes as they flutter among our fingers; a contradiction that bandoneon, violin and piano play from the power, passion and violence spilling over from this dance; a dance that, like no other, represents love, lust, the union dancers devote to each other; a model for a life which, as the poet said…hurts. This is Blue not so pink’s opening, a 2012 film by Miguel Ferrari which appeared in English as My Straight Son. A tango passing among the protagonists’ lives, which are destined to end up intertwined. Sergio de la Puente’s passion, a Granada-born poet, of noble lineage and quality, gets imprinted over each lived moment. The musician uses them to compose this tango for three; a universal, gender-blind, non-discriminatory dance. Diego, Fabrizio and Armando are the characters the story spins upon, a costumbrist drama delving into the great social (and moral) inequalities homosexuals suffer. Music for diversity and love (passion and desire), a universal principle which finds in the rage that comes with injustice the argumentation to express their belief in something better. This is the way Sergio chooses to compose this delicate plea, uniting Men and Women, Women and Men; faceless beings contorting over the dark outline of a homophobic society unable to understand that Love is somewhat abstract, shapeless, without appearance… Sergio builds his apology (for everyone) on the consequences some acts have on the stark lives of the protagonists, chapters that piano, violin and accordion illuminate with a different tempo, new and touching, representing the lovers’ unconditional feelings. This love pours from the wounds created by tragedy, and those wounds heal through the luminous music Sergio devotes to Diego and Armando’s relationship, father and son beginning a new bond, a new way of loving. As the gaucho said: That’s it, the tango is over…
Sergio de la Puente’s music is as universal as love; faceless, gender-blind…The delicate, sometimes joyful melodies weave love and desire over the lack of understanding of a world which has stopped believing in Universal Love, a feeling that would lead to hope for a better future. My Straight Son’s music opens the door to that belief, the love men and women, women and men, profess each other on the world’s stage, a film set where anonymous glances flutter as we all dance cheek to cheek. -- レーベルより
発売日：2018.4.20
01. Creditos Iniciales (Tango) 3:45
02. Diego 1:11
03. Visita de Armando 1:03
04. Diego y Armando I 1:17
05. Fabrizzio 1:32
06. Ataque a Fabrizzio 1:35
07. La Soledad de Diego 2:28
08. Diego y Armando II 1:27
09. Enlace 2:19
10. Viaje a Merida 2:55
11. La Locura de Diego 1:45
12. Bajo las Estrellas 1:16
13. Despedidas 3:39
14. Final 3:40
15. Creditos Iniciales (en directo) 4:09
16. El Orden de las Cosas 4:12
17. El Peso del Tiempo 1:24
18. El Orden de las Cosas (version Piano) 3:03
Total Time: 42:40