SUPERPOSITION

Original score from the 2022 horror thriller feature film directed by Adrian Langley, starring Roger Clark, Luke Baines and Kayla Radomski, produced by Buffalo FilmWorks and Crossroad Productions, released by Blue Fox Entertainment (USA).

THE STORY: Trapped in a bunker during World War I, a group of soldiers are faced with an ungodly presence that slowly turns them against each other.

THE SCORE: “Bunker was a blast to work on. When the director, Adrian, first contacted me he specifically wanted to have a score in the neoclassical world. It needed to oscillate from pure horror to something far more classical in orientation. He challenged me by asking, ‘If a composer from the 40s wrote a horror score, what would it sound like?’. With that challenge I dove in and started creating. In addition to recording the score with the Budapest Symphony Orchestra, I incorporated an instrument I affectionately call, the Piano Guts which is the soundboard of an upright piano with it’s strings still on it. I plucked it, struck it, bowed it, and rubbed it to create some wild noises and textures. That made for a wild soundscape for this body horror extravaganza.” ? Andrew Morgan Smith

THE COMPOSER: Composer Andrew Morgan Smith studied composition and music media at the University of Louisiana at Lafayette. As a media composer, he started his career writing for SyFy movies and has now branched out into Indie film and other TV content. His credits include such hit films for the channel as A Sort of Homecoming, Zombie Shark, and A Deadly Affair. Andrew is no stranger to the world of horror scoring ? his music for Jeepers Creepers 3 and You Might Be the Killer are also available from ScreamWorks Records.

Official CD-R pressings

1. Superposition 3:20
2. Opening and Disappearance 3:24
3. Happy Days 3:22
4. The House 1:40
5. There Is Something Across the Lake 3:28
6. Midnight 3:02
7. The Doubles 2:53
8. Posing as Herself 5:15
9. Lovemaking 3:46
10. Stine's Plan 1:58
11. Forest Interlude 1:50
12. Tarzan 2:53
13. The Knife 2:14
14. Leaving 3:57
15. End Credits 2:08