NO GOD, NO MASTER

When a series of package bombs show up on the doorsteps of prominent politicians and businessmen in the summer of 1919, U.S. Bureau of Investigation Agent William Flynn (David Strathairn) is assigned the task of finding those responsible. He becomes immersed in an investigation that uncovers an anarchist plot to destroy democracy. Inspired by true events of the ’20s, the film sets the stage for a timely thriller with resoundingly similar parallels to the contemporary war on terrorism and the role government plays to defeat it.

A revelation! What a stunning, epic, beautiful work. We are so proud to have Nuno Malo’s No God, No Master mark this young composer’s Varese Sarabande debut. Malo has crafted a powerful, classically-styled work for this period thriller that will surely excite many film music fans who remember when there used to be more scores in this style. Nuno Malo is an exciting new name and talent. Limited Edition of 1000 copies. * Excerpt from the label

1. Opening Titles (3:03)
2. Bike Ride Through Little Italy (:51)
3. Bomb In The Church (2:20)
4. Post Office Package Bombs (1:14)
5. Rockefeller Confrontation (1:59)
6. Explosion At Louise Berger’s (1:11)
7. Flynn Talks With Tresca (2:27)
8. Tresca’s Speech (2:20)
9. Vanzetti’s Past (1:25)
10. Vanzetti Finds A New Home (2:28)
11. Another Bomb, Vanzetti’s Theme (1:20)
12. Three Friends, Bomb At Flynn's Doorstep (1:58)
13. Sacco’s Dream (1:12)
14. Flynn’s Partner Death (1:46)
15. Interrogation At Luigi’s Place (5:27)
16. Flynn Interrogates C. Howe (1:30)
17. Vanezetti Gives A Cat To The Little Boy (1:47)
18. Memorial, Police Attacks (2:02)
19. Rockefeller Confrontation (Cello Version) (1:50)
20. Flynn Talks To Palmer (1:10)
21. Flynn’s Search For Tony, Galleani’s Capture (7:57)
22. The 10000 Immigrants Arrest (3:20)
23. Arm Robbery, Sacco And Vanzetti’s Arrest (2:37)
24. Catacomb Of The Flower Of Mankind (2:57)
25. What About The Others (3:43)
26. Nulus Deus, Nulus Dominus, Main Theme Reprise (2:49)
27. No God, No Master (Piano Trio) (2:50)